Chicago Folk / Americana singer / songwriter, Steve Dawson, has been called “one of the most underrated songwriters in American music,” who writes, “graceful, poetic songs akin to a volume of great short stories in their precise, exacting wordplay and soulful heartache.” Dawson has released six albums with his long-time band, Dolly Varden, and six solo albums, including 2021’s “At The Bottom Of A Canyon In The Branches Of A Tree,” and the 2024’s, “Ghosts,” both on Pravda Records.

Originally from San Diego, California, he spent his teen years in Hailey, Idaho, where he learned guitar and started writing songs. After a few years at the Berklee School of Music in Boston, Dawson moved to Chicago and formed the band, Stump The Host, with his future wife, artist and singer, Diane Christiansen. Dawson also teaches songwriting at the legendary Old Town School of Folk Music and co-wrote a book on songwriting and the creative process with Mark Caro called, “Take It To The Bridge: Unlocking The Great Songs Inside You.”

Lizzie & The Makers’ sophomore studio album, Dear Onda Wahl, embroiders their potent Southern-tinged rock with art-rock, dream-pop, and ethereal elements to spawn something all their own. It’s one of those rare records that combines single-minded artistry with broad commercial appeal.

Created around the dusky yet soaring timbre of force-of-nature frontwoman Lizzie Edwards, Dear Onda Wahl was produced by Grammy winner Mario McNulty (David Bowie, Prince) and Cure guitarist Reeves Gabrels (Tin Machine, Bowie). Their influence, alongside the textured six-string and pedal-steel expressions of Edwards’ writing partner (and Gabrels protégé) Greg McMullen, ensure an intriguingly adventurous, hugely dynamic – and occasionally otherworldly – take on the traditional.

Defying her constant comparisons to Janis Joplin, the classically-trained Edwards, 5-time official showcasing artist at SXSW, former Pleasantville Music Festival MainStage performer, summons a heartfelt, nuanced mezzo-soprano shaped by Memphis soul legend Ann Peebles, Heart’s Wilson sisters, and jazz icon Billie Holiday. She’s assertive, yet vulnerable; defiant, yet proudly flawed.