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SOMETHING IS WORKING UP ABOVE MY HEAD

One night in the middle of the night there were a series of noises coming from
above which lead to a series of thoughts. It sounded like something was
working. Building something.. A nest for its family? A trap for its prey? This
led to more thoughts about unseen things at work. A God? A voice in your
head? It all feels kind of made up until someone responds to it.

Less means more. That’s kind of always how it’s been with us. This time the
rules were simple: we can only use what we work with live and whatever we
put down on tape must be accomplishable on a stage in a live setting. That’s
always seemed to be when we’re at our best. Or most twitchy. Many times
we’ve made records that we loved and then, after figuring out how we’d perform
it live, we end up falling in love with the live arrangement because being a 2
piece band it took some real risk and struggle which led to innovation which
gave it a whole new life. (Consider the tortured grape.) So with this one we just
started there and worked backwards. The result encapsulates, more than
anything we’ve done before, the sound of our live performance. Resulting in
what one might consider by definition, a definitive album.

The summer and fall leading up to recording we spent writing songs, hanging
out with family in Colorado and playing shows opening for The Wood Brothers
and Gregory Alan Isokov, both of whom have large audiences. So each night we
were playing in front of a lot of people, many of whom had never heard of us.
We decided to take those opportunities to rattle our comfort zone cage and try
out a bunch of brand new, just written songs and basically learn how to play
them in front a few thousand people. The songs would grow and change show
to show, sometimes for the better and sometimes for the worse. Maybe we go
down in flames? Maybe something beautiful happens while it’s burning? We
happily embraced the chaos. That’s kind of always how it’s been with us.

We had a new song that initially neither of us thought that much of called ‘Love
Song From A Dog’. During one of the first nights of the Isakov run we decided,
on stage, mid set, to try it out because the show was going well and the
audience was warm. To our surprise, it kind of killed and became a fan favorite
moment of our set each night. And honestly in all the years of doing this we’ve
never had so many people send us messages or reach out about any one
specific song as they did this one.. It just goes to show us that we don’t know
anything. When it came time to record it we thought it’d be fitting and a nice
touch to have Greg sing on it since it was his audience who basically fostered it into being by giving us the confidence and encouragement we needed to see it
the way they did. He generously obliged and the song was instantly elevated by
the sincerity and richness of mood that colors his voice.

The two of us can’t help but be obsessed with duality. The song ‘Two Wolves’ is
a meditation about two conflicting energies competing for power. The first time
we ever played it was on New Years Eve at Rupp Arena opening for Tyler
Childers in front of 15k or so country music fans who surely were like “what the
hell is this” but to us it seemed 100 percent appropriate because, if we have a
song made for an arena, this is probably it. A fuzzy, thick riffed stomper with a
hypnotic head bob refrain. It was a big show on a big stage and we were feeling
our saltiest rock n roll consummate professional selves in that moment, so we
went wide open with it off the rip because well, we had to.

For those who are new here we’ve spent the last decade or so bouncing around
in the ‘Americana’ realm quite a bit. Getting branded into that world was
admittedly a bit of a shoulder shrug for us as we’ve always identified more as
messy, misfit, folk songwriters and electric yarn spinners who’s harmonies land
somewhere between sweet and spit.. But the people were paying attention and
we were building a fan base so we kind of felt like “who were we to tell them
who we weren’t?” But when you go all the way to Europe and are standing on a
stage in front of a few hundred Scandinavians who are dressed in head to toe
denim and cowboy hats expecting something a little more specific, we can’t
help but feel like we’re about to confuse some people. We will often find
ourselves playing an outdoor, ‘free in the park’ type of concert series where a
Male and Female with 2 guitars and beautiful harmonies will be booked as the
opener and then we’ll take the stage and proceed to be a little louder and
maybe a little more brash than was anticipated.. It’s always kind of been this
way with us. The joke in our camp when this happens goes something like:
And for tonight’s entertainment we have for you “The What We Thought They
Were’s” followed by the “Louder Than We Thoughts”! Recently we did a gig
where the spokesperson said to us just before we went on ‘so maybe don’t
come out with your heaviest guitar stuff and your 808 bass bullshit right off the
rip.. there are kids and old people here and they’ll leave” (he was trying to be
helpful). We politely told him “Don’t worry, we have a plan”.. and then again
opened with Two Wolves, with its loud guitar stuff and its 808 bullshit, followed
by a dynamic set where we touched on all the different things we do and
everyone proceeded to have a great time. That’s kind of always how it’s been
with us.

Something Is Working Up Above My Head is a catalog of vulnerable characters
with sweet and sordid narratives.

‘Colorado River’ is a song about a boy and his Dad disposing of bodies in
various ways as the water level recedes and dark surprises surface. The hot
dog bun line was initially supposed to be a place holder because it sounded
funny and it rhymed, but then we sang it sooo many times over the summer that
it built a little hot dog shack and moved in forever. I still think it’s kind of dumb
but it’s also kind of great. For those who pay attention it’s a pretty obvious John
Prine nod. I’d like to think he handed us the hot dog bun like a relay baton on
his way to the great mystery. Macabre pairs well with a side of humor.
‘Piranhanana’ is about a boy growing up in a house of sex workers and being
fine with it with a little meditation, while his sister struggles to find her zen. ‘I’d
be lying’ is about navigating a crisis with a long time friend. ‘Double Lines’
follows the journey of a young woman thru pregnancy tests, covid tests and
various other forms of duality and two-ness.

‘Something is Working’ and ‘Dass Hymn’ (referring to Ram Dass) were the last 2
songs written and added to this collection of songs. They book end the record
with questions about what, if anything, is pulling the strings? In the closing
moments of the last song, 3 generations of our family all sing together about
how nobody knows what happens at the end. And in all the not knowing, it’s
comforting to sing with your family.