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Whiskey Bent Valley Boys / The Local Honeys
May 23, 2016 @ 12:00 pm - 1:00 pm
Sure to be a fun plate with the Whiskey Bent Valley Boys and The Local Honeys. Both of these bands take pride in their Kentucky roots. Joing us live from the Knoxville Visitor’s Center at noon to enjoy the sweet Kentucky sounds. You can listen online too! Click here.
The Whiskey Bent Valley Boys incorporate time honored treasures from such icons as Roscoe Holcomb, The Stanley Brothers, and fiddle legend Tommy Jarrell, or a roster of original compositions including crowd-pleasers “Graveyard Blues” or “Shady River” the band puts on a timeless, energiezed show, Playing everything from ballads, breakdowns, sea shanties, and swamp stomps. Audiences from children on their parent’s knee to packed saloons past midnight ,and finding favor with the older generation as well makes for a wide range of appeal.
The boys take cues from parents and grandparents who have tapped into folk country and bluegrass through festivals, radio and endless collections of vinyl recrodings. Band founder Col. Mason Dixon hails from a long line of musicians and will tell you it’s not so much in the whiskey as it is the DNA. Each member’s family performs and enjoys the indigenous music of the appalachian foothills and pastures of Kentucky.
The Whiskey Bent Valley Boys will be pounding out the swing dancing, foot stompin, hard driving tunes that are guaranteed to tickle your innards.
The Local Honeys are a charming duo, born and raised in Central and Eastern Kentucky. The pairing is comprised of Montana Hobbs and Linda Jean Stokley. Their sincere dedication to Kentucky music led them to spend many late evenings in the college’s traditional music archives where they listened in awe to the many regional fiddle and banjo players from which they have drawn much of their repertoire. They listened eagerly through the static and crackle of many field recordings to transliterate the living and late Kentucky artists whose stories, songs, and tunes were recorded by those foreseeing the importance of their survival.
These ladies have cultivated a distinguishing sound by utilizing their powerful voices, in both sweet and haunting, intricate harmony. Their voices lay fittingly suspended in air in a capella fashion or befittingly entwined with appropriate instrumental accompaniment. Late one evening in Cork City, Ireland they found themselves singing in an abandoned stairwell with thirty-sum Irish companions where a man proclaimed, “My sweet girls, you sing like angels and play like devils!” They diversely incorporate entrancing balladry, pleasing lullabies, the blues, and driving fiddle and banjo tunes.
These ladies are bringing the home music of the mountains to listening audiences throughout the region and elsewhere. They have sung and played for audiences across the Appalachian region and internationally in Ireland, Jamaica, and Canada. They are so very proud of their culture and hope to instill a sense of curiosity in their audiences about their own heritage while strengthening the appreciation of the high lonesome sound some have forgotten.