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DTSTART;TZID=America/New_York:20260521T080000
DTEND;TZID=America/New_York:20260524T170000
DTSTAMP:20260417T071425
CREATED:20260401T162511Z
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SUMMARY:Rooster Walk 16 — 5/21 thru 5/24
DESCRIPTION:Want to catch Rooster Walk Festival this May? We’re giving you the chance to win your way there! \nRegister for the WDVX Rooster Walk 2026 Giveaway at any of these four Knoxville locations through April 30: \n\nCentral Flats & Taps\nCool Beans\nSoKno Taco\nSevier Avenue Burgers\n\nOne winner from each location will receive a pair of single-day passes\, and one grand prize winner will receive a pair of four-day passes. Winners drawn May 1! \nRooster Walk 16 takes place May 21-24 in Martinsville\, VA\, featuring 45+ bands across six stages at Pop’s Farm. Good luck! \nFind Tickets Here! \n  \n\n\nMaking the most of a tragic situation\, that’s how Rooster Walk came about. \nThe Rooster Walk Music and Arts Festival was created in memory of two of our best childhood friends who passed away while still in their 20s: Edwin “the Rooster” Penn and Walker Shank. This festival celebrates life and the notion that you shouldn’t waste a moment of it. \nWhen Edwin died in a dirt-bike accident in November 2007\, and Walker passed from an undiagnosed heart issue while asleep in his apartment in December 2008\, close friends decided a music festival was a fitting way to pay tribute. Rooster Walk was created\, with the idea that proceeds from the festival go toward a college scholarship fund at their alma mater\, Martinsville High School. \nWe’re happy to report that the mission has been a great success. We’ve raised more than $378\,000 for local and regional charities\, with much of that going to the “Penn-Shank Memorial Scholarship Fund” for outstanding MHS seniors. \nRooster Walk is being embraced for its tourism and quality of life values\, playing a small but growing role in the area’s social fabric. … And we couldn’t be prouder.
URL:https://wdvx.com/event/rooster-walk-16-5-21-thru-5-24/
LOCATION:Rooster Walk\, 675 HOBSON ROAD\, AXTON\, VA\, 24054\, United States
CATEGORIES:Featured Events
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DTSTART;TZID=America/New_York:20260521T080000
DTEND;TZID=America/New_York:20260524T170000
DTSTAMP:20260417T071425
CREATED:20260409T180145Z
LAST-MODIFIED:20260409T183035Z
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SUMMARY:Jammin' at Hippie Jacks - May 21-24\, 2026
DESCRIPTION:WDVX is partnering with Jammin’ at Hippie Jack’s to give away a pair of weekend passes to this year’s festival! To enter\, stop by Trailhead Beer at 1317 Island Home Ave\, Knoxville and register in person at the giveaway table. One entry per person. Winner will be chosen at random and announced on May 1st. \nJammin’ at Hippie Jack’s is the only family-friendly Americana Roots music and arts festival providing world class entertainment along with humanitarian outreach to the underserved populations of the Appalachians. \nThe Council of Americana Roots Music\, a non-profit 501(c)(3) organization\, was founded in 2010 with a mutual benefit of cultural enrichment and community service. Our mission is to promote\, present\, and preserve Americana roots music\, while serving the under-served people of Appalachia with fairness\, dignity\, and compassion. \nProgramming originally included the production of a 16-episode annual public television series titled Jammin at Hippie Jack’s (JAHJ). This half-hour music series focused on preserving and showcasing original singer-songwriters representing historically significant forms of Americana grassroots music. The series was distributed nationally by the National Educational Telecommunications Association (NETA) to public television stations\, libraries\, and educational institutions. \nAdditional initiatives at that time included a regional radio program\, The Hippie Jack Radio Hour\, broadcast on WDVX in Knoxville and throughout East Tennessee and streamed worldwide at www.wdvx.com; a public engagement music festival held each May; and a series of benefit concerts held throughout the year. Proceeds from these programs supported outreach efforts for underserved populations in former coal-mining communities in rural Overton County\, Tennessee.
URL:https://wdvx.com/event/jammin-at-hippie-jacks-may-21-24-2026/
LOCATION:Hippie Jacks\, 642 Shiloh Road\, Crawford\, 38554\, United States
CATEGORIES:Featured Events
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DTSTART;TZID=America/New_York:20260611T200000
DTEND;TZID=America/New_York:20260611T200000
DTSTAMP:20260417T071425
CREATED:20260311T183426Z
LAST-MODIFIED:20260311T183438Z
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SUMMARY:Paul Thorn Presented by WDVX — Live at the Bijou — 6/11
DESCRIPTION:Get tickets here! \n“Life Is Just A Vapor”\nWhen it comes to songwriting\, less is more\, and simplicity is strength. Just ask Paul Thorn\, who’s spent three decades turning soulful grooves and small syllables into songs that pack a big wallop. Maybe he learned the power of minimalism from his years as a pro boxer; maybe it just comes naturally. But whether he’s targeting heads\, hearts\, hips or the occasional funny bone\, he somehow manages to condense large nuggets of wisdom into tight little mantras\, the kind embroiderers stitched onto pillows before internet memes existed. \nThorn’s new album\, Life is Just A Vapor\, contains some beauties: “Life is a vapor\, let’s live it while we can”; “tough times don’t last\, but tough people do” (from “Tough Times Don’t Last”); “any mountain up ahead is just a hill” (from “Old Melodies”). They’re words of advice\, comfort\, support\, encouragement\, often meant to uplift\, especially in times of struggle. \n“I like for people to be touched by music and get something from it\, something that they can take with them throughout the day\,” Thorn says. “Every song on this album\, there’s a message in it of some sort about how to live life.” \nAmerican Blues Scene writer Don Wilcock calls Thorn “an everyman (who) addresses things we all think about\, but few can articulate with the kind of candor\, humor and folksy truth that immediately endear him to almost everyone lucky enough to hear his music.”
URL:https://wdvx.com/event/paul-thorn-presented-by-wdvx-live-at-the-bijou-6-11/
LOCATION:Bijou Theatre\, 803 South Gay Street\, Knoxville\, TN\, 37902\, United States
CATEGORIES:Featured Events,WDVX Supported Events
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DTSTART;TZID=America/New_York:20260701T193000
DTEND;TZID=America/New_York:20260701T193000
DTSTAMP:20260417T071425
CREATED:20260211T172705Z
LAST-MODIFIED:20260211T172716Z
UID:10082404-1782934200-1782934200@wdvx.com
SUMMARY:Josiah and the Bonnevilles: The Redline North American Tour — Live at the Bijou — 7/1
DESCRIPTION:Click here for tickets! \nJosiah Leming has paid his dues. As a teenager from East Tennessee\, his devotion to music led him to hit the road\, where he lived in his car and played for anyone who would listen. That took him all the way to a major record deal when he was only nineteen. When that ended\, he refused to give up and became an indie artist\, relying solely on the music and his undeniable gift for crafting relatable songs that led to a devoted fan base he calls the Bonnevilles. He appreciates them so much that he includes them in his artist name. “They’re the reason I’m able to make music\,” he says. \n2024 saw Josiah and the Bonnevilles reaching new heights\, completing a headlining tour of thirty-three sold-out dates followed by a slew of international stops that proved his global following. He has become known for raw emotion and a profound connection to his audience. This newfound attention has led to much anticipation for his new album — and As Is lives up to the expectations. \n“I knew I had a responsibility to try to become a better writer\, a better artist\,” he says. “One day that feels like a blessing\, and the next it feels pretty intimidating.” Instead of reproducing his popular sound from the self produced “Endurance”\, he decided to expand it. “I think it would have been hard to keep my excitement to go out on the road with another kind of acoustic record.” \nHis tenth studio album finds him going more electric than ever before\, even as he unplugs from the digital world. “I feel like a grizzled old veteran at this point\,” he says\, even though he is only thirty-six. “I’m desiring quiet\, a work space away from the internet…I felt like it was important to pull back this last year and try to understand what’s on my heart.” What he found there resulted in an album focusing on joy\, sorrow\, and working-class issues that feel very of the moment in a time when so many Americans are struggling to make ends meet. \nLeming comes by his empathy for working people honestly. He’s one of nine siblings\, born and raised in Morristown\, Tennessee\, right in the heart of Appalachia. He taught himself piano when he was eight and was writing songs by thirteen. As a child he was intently aware of his community and intensely proud of his people\, something he thinks about even more in these trying times. “I look at my folks in East Tennessee and very few of them seem to be winning in this new world\,” Leming says. “Being a regular person\, working\, trying your best. I think that’s something to be proud of.” \nHis records have always been intensely personal. But on As Is he wanted to step away from being the main character and instead use vignettes to express essential truths he has learned. “I want anyone to be able to put it on and not think about me when they’re listening. I want them to be in the emotion.” Because of this he made a conscious choice to not include himself on the album cover. \nLeming chose ten tracks from ninety-six songs he has written over the last year and a half. As Is features the most co-writes he has ever recorded. “I love writing alone\, but I wanted to bring in some trusted partners on this one\,” he says. The resulting list features some of the most acclaimed songwriters working today. There’s Nashville powerhouse Natalie Hemby\, a two-time Grammy winner who has written for everyone from Lady Gaga to Miranda Lambert; Joel Little\, a Grammy winner who has written with Lorde\, Taylor Swift\, Noah Kahan\, and many others; Scott Harris\, best known for work he’s produced or written for artists such as Shawn Mendes\, Dua Lipa\, and The Chainsmokers; and others. \nTo help him find the sound he hoped to achieve\, Leming brought in Konrad Snyder as a co-producer. Snyder has engineered or produced some of the best work to come out of Nashville in the last decade\, including tracks by Kacey Musgraves\, Stephen Sanchez\, and Noah Kahan. “It was an amazing partnership with Konrad\,” Leming says. “I never had to touch a computer or a piece of gear; he’s a whiz with all that stuff. I’m usually so hands-on with my stuff\, switching between setting up\, tracking and editing but on this record I got to just perform the songs.” \nThe songs on As Is feature Leming’s vivid sense of place\, precise yet poetic lyrics\, and  emotion that is always longingly expressed by his vulnerable vocals. This collection is more up-tempo than most of his work\, which is something Leming and Snyder strived to make happen on about half the songs. “I was thinking a lot about the energy\, of having a couple songs that can amp up people at live shows\,” he says. \nThis power is especially apparent on songs like opening track “Good Boy”\, which boils toward a rousing breakdown\, “Carolina Heart”\, a tune Leming calls “less existential and my attempt at a feel-good song\,“ and “Going Gone”\, a nostalgic track about the passage of time. “Mountain Girl” is a foot-tapping harmonica-led tribute to Appalachian women. There’s the jaunty rock of “Redline”\, and a song called “One Day at a Time” that is sure to resonate with anyone who has ever struggled with addiction\, depression\, or a lack of confidence. Leming’s fans often cite his storytelling abilities as one reason they love his work\, and that takes center stage on the title track\, a spoken-word song. “Where It Starts” is a meditation on how heartache can lead to great art. The first single is the powerful “Hell Without the Flames\,” the album’s darkest track that also showcases some of the best lyrics and vocals of his career. \nThey all make for a collection of songs that take the listener full circle. “I just want people to be able to see themselves in the songs.” \nThat’s what it’s all about for Leming. “The only goal for me is to make something real\, and honest\, and that can get them through the day\,” he says. “I gave everything I have for this album. I laid it all on the table\, which is what I always want to do.” As Is proves to be all of that\, and more\, a milestone for one of our most authentic and resonant artists working today.
URL:https://wdvx.com/event/josiah-and-the-bonnevilles-the-redline-north-american-tour-live-at-the-bijou-7-1/
LOCATION:Bijou Theatre\, 803 South Gay Street\, Knoxville\, TN\, 37902\, United States
CATEGORIES:Featured Events,WDVX Supported Events
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260823T190000
DTEND;TZID=America/New_York:20260823T190000
DTSTAMP:20260417T071425
CREATED:20260202T171130Z
LAST-MODIFIED:20260202T171759Z
UID:10082399-1787511600-1787511600@wdvx.com
SUMMARY:Tommy Emmanuel - Live at the Tennessee Theatre - 8/23
DESCRIPTION:Get Tickets Here! \nHailed as “one of the best acoustic guitarists in the world” by NPR’s World Cafe\, Tommy Emmanuel got his start at the age of six\, when he first began touring his native Australia with his family’s band. As a teenager\, he earned a reputation as a highly sought after sideman and session player\, and by his early twenties\, Emmanuel was playing on chart-topping hits and performing with acts like Air Supply and Men at Work. Inspired in part by his hero\, Chet Atkins (who would later become a friend\, mentor\, and collaborator)\, Emmanuel stepped out on his own as a solo artist in 1979\, releasing the first in a string of acclaimed instrumental albums that would make him an unlikely celebrity in his home country and beyond.
URL:https://wdvx.com/event/tommy-emmanuel-live-at-the-tennessee-theatre-8-23/
LOCATION:Tennessee Theatre\, 604 S Gay St\, Knoxville\, 37902\, United States
CATEGORIES:Featured Events,WDVX Featured Events,WDVX Supported Events
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ORGANIZER;CN="WDVX":MAILTO:info@wdvx.com
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261009T080000
DTEND;TZID=America/New_York:20261011T170000
DTSTAMP:20260417T071425
CREATED:20260402T181159Z
LAST-MODIFIED:20260402T181211Z
UID:10082440-1791532800-1791738000@wdvx.com
SUMMARY:CaveFest — 10/10 thru 10/11
DESCRIPTION:Get Tickets Here! \nNow in its fifth year\, CaveFest at The Caverns is one of the most unique festival experiences in the region\, combining live music with the natural wonders of one of Tennessee’s most extraordinary underground venues. Music happens both above and below ground\, making for an atmosphere you simply cannot find anywhere else. \nCaveFest 2026 Full Line-Up: Gillian Welch & David Rawlings\, Peter Rowan & Sam Grisman Project\, Rising Appalachia\, Keller & The Keels\, John Prine 80th Birthday Celebration featuring The Tree of Forgiveness Band with special guests\, Bristol Sessions 100th Anniversary Celebration (feat. Carlene Carter\, Elizabeth Cook\, Dom Flemons\, Jim Lauderdale\, Ashley Monroe)\, Lindsay Lou\, Dom Flemons & The Traveling Wildfires\, Jim Lauderdale & The Game Changers\, Fruition\, Scott Miller & The Commonwealth\, Airshow (2 Late Nights)\, Uncle B’s Damned Ole Opry\, Slay & Stinson\, Hudost\, Modern Biology: Music Made From Plants & Mushrooms\, Three Tall Pines\, The Flea Market Hustlers\, plus special album sets and tributes: Peter Rowan & Sam Grisman Project play Old & In the Way\, Lindsay Lou plays Sublime’s Sublime\, Airshow play Billy Breathes and a Bob Weir tribute\, Uncle B’s Damned Ole Opry play The Beatles Revolver\, Slay & Stinson play Hot Rize. Artist-in-Residence: Lindsay Lou. \nCaveFest Kick-Off Party • October 9\, 2026: Arrive early\, set up camp\, and enjoy a cave concert featuring Lindsay Lou and Slap Dragon. A CaveFest Kick-Off Party + Friday Camping Entry ticket is required to camp on Friday and attend the concert. \nBeyond the music\, the weekend is packed with activities for all ages\, including cave tours\, an open underground jam session\, food trucks\, local craft vendors\, workshops\, kids’ activities\, surprise performances\, and more. On-site camping and glamping packages are available\, and early arrivals can kick things off with a separately ticketed CaveFest Kick-Off Party on Friday\, October 9. \nFor the adventurous\, guided caving experiences are available throughout the weekend\, ranging from a walking tour through Big Room Cave suitable for all skill levels\, to more immersive underground adventures with all gear provided.
URL:https://wdvx.com/event/cavefest-10-10-thru-10-11/
LOCATION:The Caverns\, 555 Charlie Roberts Road\, Pelham\, 37366\, United States
CATEGORIES:Featured Events
ATTACH;FMTTYPE=image/png:https://wdvx.com/site/wp-content/uploads/2026/04/cavefest-website.png
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DTSTART;TZID=America/New_York:20261102T193000
DTEND;TZID=America/New_York:20261102T193000
DTSTAMP:20260417T071425
CREATED:20260224T201725Z
LAST-MODIFIED:20260224T201745Z
UID:10082413-1793647800-1793647800@wdvx.com
SUMMARY:Bruce Cockburn w/ Livingston Taylor — Live at the Bijou — 11/2
DESCRIPTION:Get Tickets Here! \nABOUT LIVINGSTON TAYLOR: \nLivingston Taylor’s career as a professional musician spans more than five decades\, encompassing performance\, songwriting\, recording\, and teaching. Often described as equal parts Mark Twain\, college professor\, and musical icon\, Livingston maintains an active touring schedule of over 100 shows a year\, delighting audiences with his wit\, warmth\, and an expansive repertoire drawn from more than 25 albums\, along with beloved classics. \nAs a songwriter\, Livingston has penned Top-40 hits recorded by his brother James Taylor\, and over the years has shared the stage with artists such as Joni Mitchell\, Linda Ronstadt\, Fleetwood Mac\, and Jimmy Buffett. Equally at home across genres—folk\, pop\, classical\, gospel\, and jazz—his performances range from upbeat storytelling and intimate ballads to full orchestral concerts\, all delivered with his trademark ease and connection. \nFor over three decades\, alongside his performing career\, Livingston served as a full professor at Berklee College of Music\, where he created and taught the acclaimed course Stage Performance. His former students include Charlie Puth\, John Mayer\, Susan Tedeschi\, Molly Tuttle\, Liz Longley\, and Gavin DeGraw. Today\, Livingston takes this course “on the road\,” teaching at colleges and institutions nationwide\, including the Frost School of Music at the University of Miami\, NASA’s Goddard Space Center\, and Tulane Law School. His book\, Stage Performance\, drawn from the course and more than 50 years (5\,000+ hours) of real-world stage experience\, has become a go-to resource for performers and presenters seeking to elevate their craft from good to truly professional. \nAn airplane-flying\, motorcycle-riding\, singing storyteller\, Livingston Taylor continues to captivate audiences wherever he performs—whether solo\, with a band\, or in front of an orchestra—bringing heart\, humor\, and humanity to every stage. \nABOUT BRUCE COCKBURN: \nO Sun O Moon \n“Time takes its toll\, but in my soul I’m on a roll\,” Bruce Cockburn sings on his latest studio album\, O Sun O Moon. Smart and catchy\, it’s the kind of memorable line—like “gotta kick at the darkness ’til it bleeds daylight” from his classic song “Lovers in a Dangerous Time”—the world has become used to hearing from Cockburn. \nAn inspired poet and exceptional guitarist\, the award-winning artist has spent his entire career kicking at the darkness with songs that tackle topics from politics and human rights to the environment and spirituality. And he’s not letting up. While other singer-songwriters his age are slowing down\, Cockburn\, on the eve of his 78 th birthday\, has released a dozen new compositions as powerful as any he’s written. You could even say his songwriting is on a roll as well. \nExquisitely recorded in Nashville with his longtime producer\, Colin Linden\, O Sun O Moon exudes a newfound simplicity and clarity\, as Cockburn focuses on more spiritual than topical concerns this time around\, looking back and taking stock. “I think it’s a product of age to a certain extent\,” he explains\, “and seeing the approaching horizon.” Then\, lightening the tone\, he adds with a laugh: “I think these are exactly the kind of songs that an old guy writes.” \nOld or not\, Cockburn exhibits a palpable urgency on the opening “On a Roll\,” playing a driving resonator guitar with all the vigor of his veteran blues heroes. Similarly “To Keep the World We Know\,” one of the album’s few explicitly topical numbers\, bristles with Cockburn’s buzzing dulcimer as he and Inuk music star Susan Aglukark\, with whom he co-wrote the song\, sing about the growing threat of global warming. \nStill\, most of the songs strike gentler tones\, from the jazz sway of “Push Come to Shove” and the folky drone of “Into the Now” to the string-laden “Us All” and the hymn-like “Colin Went Down to the Water.” The latter\, one of several songs Cockburn wrote while on a month-long holiday with family on the Hawaiian island of Maui\, describes the drowning of a friend. “It’s not about Colin Linden\,” Cockburn is quick to point out\, “but someone I knew from San Francisco who’d \nmoved to Maui. It was tragic and quite surreal because I got a voicemail message from him when I was in Maui\, saying ‘Welcome to paradise\,’ and then found out afterward that he’d died.” \nSpeaking of surreal\, another song written while in Maui\, the whimsical “King of the Bolero\,” is unlike anything else on the album. Over a woozy clarinet and drunken\, New Orleans-style horns\, Cockburn paints a cartoon portrait of an oversized barroom musician “with a double chin all the way round his neck and a pot belly in the back.” Is it a dream or a figment of his imagination? In a gravelly voice\, Cockburn leaves us guessing as he sings “it’s moon high noon—I’m not in my Bed.” \n“The people I was with in Maui were quite perplexed when they heard that song\,” muses Cockburn. “After hearing the other things I’d written there\, they wondered ‘where did that come from?’ It really came from out of the blue. I remembered when I was in high school one of my friends made a crack about an old blues singer who used to come through who he said had a double chin in the back. It was a funny thing to hear at the time and it stayed with me. I didn’t want to make it specifically about a black blues guy\, so I mention Minnesota Fats and Fatty Arbuckle as well as Fats Domino and Fats Waller.” \nAs with so many Cockburn albums\, the musicianship on O Sun O Moon is superb. Along with usual suspects Linden on guitar\, Janice Powers on keyboards and Gary Craig on drums\, the album features bassist Viktor Krauss\, drummer Chris Brown\, accordionist Jeff Taylor\, violinist Jenny Scheinman and multi-instrumentalist Jim Hoke. And Cockburn’s guest vocalists include Shawn Colvin\, Buddy Miller as well as mellifluous singers Allison Russell\, Sarah Jarosz and Ann and Regina McCrary\, daughters of gospel great Rev. Samuel McCrary\, one of the founders of the Fairfield Four. The McCrary sisters shine brightest on the title track\, whose full name is “O Sun By Day O Moon By Night.” They sing the euphoric chorus of the song which relates\, during spoken verses\, a dream Cockburn had in which he makes the journey to heaven. “In the dream\, which was really powerful\,” says Cockburn\, “I see myself silhouetted on a ridge with this jar of blood pouring it on the soil. It wasn’t scary or disturbing at all.” Cockburn adds that he wrote the line “and if that sun and moon don’t shine” in the spirit of songs from the folk ballad “Mockingbird” to the blues number “Bo Diddley.” \nThe album’s jazzy closer\, “When You Arrive\,” finds Cockburn confessing to feeling his age when he sings “You’re limping like a three-legged canine\, backbone creaking like a cheap shoe.” But it’s clearly a song of acceptance\, about eventually slipping one’s mortal coil\, as he’s joined on the chorus by all of his guest vocalists\, singing “bells will ring when you arrive.” \nO Sun O Moon includes just one song without vocals\, “Haiku\,” a four-minute showcase of Cockburn’s fleet-fingered guitar work\, where his previous studio recording\, 2019’s Crowing Ignites\, was a collection of all instrumental numbers. In between those albums\, Cockburn\, the Order of Canada recipient\, 13-time Juno Award winner and Canadian Music Hall of Fame inductee released a 50th anniversary box set\, greatest hits package and rarities collection. \nNever one to rest on his laurels—even when\, as he notes\, “time takes its toll\,” Cockburn keeps finding and conquering new challenges\, never repeating himself in the process. “I just don’t want to ever keep doing the same thing\,” he says. “I’m grateful that I can keep on doing anything at this point\,” he adds. “My body doesn’t hold up and perform the way it once did.” \nThat may be so. But the legendary musician has just made his 38th studio album. And it may stand as one of his best of his long and storied career.
URL:https://wdvx.com/event/bruce-cockburn-w-livingston-taylor-live-at-the-bijou-11-2/
LOCATION:Bijou Theatre\, 803 South Gay Street\, Knoxville\, TN\, 37902\, United States
CATEGORIES:Featured Events,WDVX Supported Events
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20270410T190000
DTEND;TZID=America/New_York:20270410T190000
DTSTAMP:20260417T071425
CREATED:20260224T200621Z
LAST-MODIFIED:20260224T200636Z
UID:10082412-1807383600-1807383600@wdvx.com
SUMMARY:Foy Vance - The Wake World Tour — Live at the Bijou — 4/10
DESCRIPTION:Get Tickets Here! \nThe seventh album from Foy Vance\, The Wake marks the completion of a decades-long journey defined by tireless soul-searching and life-altering revelation. While playing a gig on the Spanish island of Lanzarote in January 1999\, the Northern Ireland-born singer/songwriter experienced a moment of unprecedented transcendence onstage\, then learned the next morning that his father had suffered a fatal heart attack that very night. Overcome by grief and a galvanizing clarity\, Vance immediately resolved to create seven albums informed by the loss of his father—a traveling preacher who moved their family to the American South when Vance was a baby\, and set him on his life’s path by teaching him to play guitar early in his childhood. At turns devastating and ecstatic and wildly illuminating\, The Wake reveals an artist highly attuned to the task of preserving the human spirit in an often-unforgiving world. \nProduced by Ethan Johns (the Brit Award-winning producer known for his work with Paul McCartney\, Ray LaMontagne\, and more)\, The Wake brings Vance’s gritty vocal work to a potent convergence of folk and soul and Southern blues\, instilling every moment with an unbridled vitality. In his intimate exploration of the human condition\, the Scotland-based artist muses on matters both intensely personal (e.g.\, fatherhood\, heartbreak) and wholly existential (the slippery essence of time\, the looming crisis of AI’s unchecked ascent). The final volume in a run of albums that began with his 2007 debut Hope—and also includes standouts like 2016’s The Wild Swan (executive-produced by Elton John)\, 2019’s From Muscle Shoals and To Memphis (recorded at the historic FAME Studios and Sam Phillips Recordings Studios\, respectively)\, and 2021’s Signs of Life (partly made at Vance’s home in the Scottish Highlands)—the result is the purest distillation yet of his truly singular artistry\, imparting a defiant joy into songs of longing and loss and hard-won acceptance.
URL:https://wdvx.com/event/foy-vance-the-wake-world-tour-live-at-the-bijou-4-10/
LOCATION:Bijou Theatre\, 803 South Gay Street\, Knoxville\, TN\, 37902\, United States
CATEGORIES:Featured Events,WDVX Supported Events
ATTACH;FMTTYPE=image/png:https://wdvx.com/site/wp-content/uploads/2026/02/foyvance.png
GEO:35.9623478;-83.9170961
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Bijou Theatre 803 South Gay Street Knoxville TN 37902 United States;X-APPLE-RADIUS=500;X-TITLE=803 South Gay Street:geo:-83.9170961,35.9623478
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