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DTSTART;TZID=America/New_York:20260515T120000
DTEND;TZID=America/New_York:20260515T130000
DTSTAMP:20260502T051207
CREATED:20260429T200012Z
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SUMMARY:The WDVX Big Plate — 5/15 — Chicken Wire Empire
DESCRIPTION:Chicken Wire Empire is a Wisconsin-based bluegrass band known for their dynamic musicality\, thorough arrangements\, and true-to-life songwriting. They’ve been recognized worldwide for their top-tier performances and collaborations with dozens of artists from all corners of the bluegrass genre. Audiences can expect high-level musicality and substantive musical depth from each CWE show. The band continues to be acknowledged for their technical prowess and authentically original sound. Their sixth and latest album\, Growing Pains (June 2025) is a veritable culmination of the band’s growth through the past decade.
URL:https://wdvx.com/event/the-wdvx-big-plate-5-15-chicken-wire-empire/
LOCATION:Barley’s\,  200 East Jackson Avenue\, Knoxville\, TN\, 37915\, United States
CATEGORIES:Featured Events,Free Live Show,The Big Plate
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DTSTART;TZID=America/New_York:20260515T170000
DTEND;TZID=America/New_York:20260516T220000
DTSTAMP:20260502T051207
CREATED:20260224T195104Z
LAST-MODIFIED:20260224T195119Z
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SUMMARY:2026 Bloomin' BBQ Music & Food Festival
DESCRIPTION:Stop by the WDVX table and camper to shake and howdy with us! \nFREE ADMISSION | FREE CONCERTS \nFriday\, May 15\, 2026 | 5pm – 10pm \nSaturday\, May 16\, 2026 | 10am – 10pm \nLive music. Delicious food. Awesome fun. \nWhether you’re enjoying toe-tapping tunes\, devouring the nation’s best BBQ or simply enjoying the sights and sounds of one of the southeast’s top festivals\, Bloomin’ BBQ is a weekend of fun for the whole family. \nMore info here!
URL:https://wdvx.com/event/2026-bloomin-bbq-music-food-festival/
LOCATION:Historic Downtown Sevierville\, Sevierville\, TN\, United States
CATEGORIES:Featured Events,WDVX Supported Events
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DTSTART;TZID=America/New_York:20260516T100000
DTEND;TZID=America/New_York:20260516T150000
DTSTAMP:20260502T051207
CREATED:20260423T181855Z
LAST-MODIFIED:20260423T182451Z
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SUMMARY:Children's Festival of Reading - Kidstuff Live - 5/16
DESCRIPTION:WDVX’s own Sarah Pirkle will be performing live at the 20th Children’s Festival of Reading at World’s Fair Park on Saturday\, May 16\, and we’re broadcasting Kidstuff live from the event from 10:00 to 11:00 AM!\n\n\n\nThis milestone celebration presented by Comcast runs from 10:00 AM to 3:00 PM and features world-class authors\, illustrators\, musicians\, and storytellers\, plus arts and crafts\, food vendors\, science demos\, and the beloved Parade of Books. This year’s theme is dinosaurs\, with prehistoric pals from East Tennessee Dinosaur Adventure making an appearance.\n\n\n\nFree and open to the public at World’s Fair Park!
URL:https://wdvx.com/event/childrens-festival-of-reading-kidstuff-live-5-16/
LOCATION:World’s Fair Park\, 1060 World’s Fair Park Drive\, Knoxville\, TN\, 37916\, United States
CATEGORIES:Featured Events,Free Live Show,WDVX Kidstuff Live
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X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=World’s Fair Park 1060 World’s Fair Park Drive Knoxville TN 37916 United States;X-APPLE-RADIUS=500;X-TITLE=1060 World’s Fair Park Drive:geo:-83.9248409,35.9617705
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260521T080000
DTEND;TZID=America/New_York:20260524T170000
DTSTAMP:20260502T051207
CREATED:20260401T162511Z
LAST-MODIFIED:20260401T162511Z
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SUMMARY:Rooster Walk 16 — 5/21 thru 5/24
DESCRIPTION:Want to catch Rooster Walk Festival this May? We’re giving you the chance to win your way there! \nRegister for the WDVX Rooster Walk 2026 Giveaway at any of these four Knoxville locations through April 30: \n\nCentral Flats & Taps\nCool Beans\nSoKno Taco\nSevier Avenue Burgers\n\nOne winner from each location will receive a pair of single-day passes\, and one grand prize winner will receive a pair of four-day passes. Winners drawn May 1! \nRooster Walk 16 takes place May 21-24 in Martinsville\, VA\, featuring 45+ bands across six stages at Pop’s Farm. Good luck! \nFind Tickets Here! \n  \n\n\nMaking the most of a tragic situation\, that’s how Rooster Walk came about. \nThe Rooster Walk Music and Arts Festival was created in memory of two of our best childhood friends who passed away while still in their 20s: Edwin “the Rooster” Penn and Walker Shank. This festival celebrates life and the notion that you shouldn’t waste a moment of it. \nWhen Edwin died in a dirt-bike accident in November 2007\, and Walker passed from an undiagnosed heart issue while asleep in his apartment in December 2008\, close friends decided a music festival was a fitting way to pay tribute. Rooster Walk was created\, with the idea that proceeds from the festival go toward a college scholarship fund at their alma mater\, Martinsville High School. \nWe’re happy to report that the mission has been a great success. We’ve raised more than $378\,000 for local and regional charities\, with much of that going to the “Penn-Shank Memorial Scholarship Fund” for outstanding MHS seniors. \nRooster Walk is being embraced for its tourism and quality of life values\, playing a small but growing role in the area’s social fabric. … And we couldn’t be prouder.
URL:https://wdvx.com/event/rooster-walk-16-5-21-thru-5-24/
LOCATION:Rooster Walk\, 675 HOBSON ROAD\, AXTON\, VA\, 24054\, United States
CATEGORIES:Featured Events
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260521T080000
DTEND;TZID=America/New_York:20260524T170000
DTSTAMP:20260502T051207
CREATED:20260409T180145Z
LAST-MODIFIED:20260409T183035Z
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SUMMARY:Jammin' at Hippie Jacks - May 21-24\, 2026
DESCRIPTION:WDVX is partnering with Jammin’ at Hippie Jack’s to give away a pair of weekend passes to this year’s festival! To enter\, stop by Trailhead Beer at 1317 Island Home Ave\, Knoxville and register in person at the giveaway table. One entry per person. Winner will be chosen at random and announced on May 1st. \nJammin’ at Hippie Jack’s is the only family-friendly Americana Roots music and arts festival providing world class entertainment along with humanitarian outreach to the underserved populations of the Appalachians. \nThe Council of Americana Roots Music\, a non-profit 501(c)(3) organization\, was founded in 2010 with a mutual benefit of cultural enrichment and community service. Our mission is to promote\, present\, and preserve Americana roots music\, while serving the under-served people of Appalachia with fairness\, dignity\, and compassion. \nProgramming originally included the production of a 16-episode annual public television series titled Jammin at Hippie Jack’s (JAHJ). This half-hour music series focused on preserving and showcasing original singer-songwriters representing historically significant forms of Americana grassroots music. The series was distributed nationally by the National Educational Telecommunications Association (NETA) to public television stations\, libraries\, and educational institutions. \nAdditional initiatives at that time included a regional radio program\, The Hippie Jack Radio Hour\, broadcast on WDVX in Knoxville and throughout East Tennessee and streamed worldwide at www.wdvx.com; a public engagement music festival held each May; and a series of benefit concerts held throughout the year. Proceeds from these programs supported outreach efforts for underserved populations in former coal-mining communities in rural Overton County\, Tennessee.
URL:https://wdvx.com/event/jammin-at-hippie-jacks-may-21-24-2026/
LOCATION:Hippie Jacks\, 642 Shiloh Road\, Crawford\, 38554\, United States
CATEGORIES:Featured Events
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DTSTART;TZID=America/New_York:20260521T120000
DTEND;TZID=America/New_York:20260521T130000
DTSTAMP:20260502T051207
CREATED:20260429T200715Z
LAST-MODIFIED:20260429T200725Z
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SUMMARY:The WDVX Blue Plate Special — 5/21 — Mark Mojo Johnson / Randall Griggs
DESCRIPTION:Mark Mojo Johnson: the crossroads of blues\, folk\, and rock. \nA forever bluesy\, deeply human\, and unpolished troubadour in all the right ways. Songs that feel lived-in\, like a favorite pair of jeans or an old worn t-shirt you can’t seem to throw away. \n \nRandall Griggs\, singer/songwriter is featured as well!
URL:https://wdvx.com/event/the-wdvx-blue-plate-special-5-21-mark-mojo-johnson-randall-griggs/
LOCATION:Barley’s\,  200 East Jackson Avenue\, Knoxville\, TN\, 37915\, United States
CATEGORIES:Featured Events,Free Live Show,WDVX Blue Plate Special
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260522T120000
DTEND;TZID=America/New_York:20260522T130000
DTSTAMP:20260502T051207
CREATED:20260429T201105Z
LAST-MODIFIED:20260429T201117Z
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SUMMARY:The WDVX Big Plate — 5/22 — Dave Eggar
DESCRIPTION:Over the past two and a half decades\, Dave Eggar‘s earned rock star status in pop music world as first-call cellist and string arranger for superstars like Coldplay\, Evanescence\, John Legend\, Lewis Capaldi and Bebe Rexha and Foreigner. Yet for the multi-talented veteran musician\, the piano has always been the ultimate place of solace since his childhood days as a classical prodigy. \nIn his youth\, those keys were a sacred space where he found a home immersed in the lyrical glories of Chopin ballades and solo pieces by Satie\, Gabriel Faure and Toru Takemitsu. Throughout his career\, even as the four-time Grammy nominee has amassed hundreds of string credits\, the piano compositions on his solo albums – from his 1998 debut Serenity to his prodigious latest release Dragonfly – reveal a truer artistry that comes alive in a space where he connects with people more deeply and emotionally. \nCo-written and produced\, like Eggar’s 2021 album Awakening\, by drummer\, percussionist and songwriter Chuck Palmer\, Dragonfly is a thematically expansive yet musically intimate collection which\, true to the title’s mythological implications\, finds Eggar exploring the concepts of metamorphosis\, self-realization and the insight of clear vision. It’s all with an eye towards helping us meet the great challenges of a post pandemic world\, rise above the darkness and discover exciting new possibilities. \nWhile most of the pianist’s previous solo albums bear titles reflecting the healing music space (including 2002’s Angelic Embrace)\, the symbolism of the Dragonfly – brilliantly embodied by the colorful\, intricate cover illustration and artwork – made perfect sense as a reflection of a hopeful embrace of a new era. In essence\, it’s a tribute as well to Gomeo\, a Native American philosopher and fan of Eggar’s music who always called the artist “Dragonflyboy” in reference to the combination of courage and fragility he observed in Eggar. Eggar in turn dedicates the graceful\, reflective title track to Gomeo. \n“The pandemic and resulting lockdown freed us from our usual distractions and made us all stop and think about the meaning of our lives\,” says Eggar\, who is releasing Dragonfly in the wake of the two 2023 Grammy nominations earned for his work with clarinetist Tasha Warren on the album Ourself Behind Ourself\, Concealed\, featuring compositions by Paquito D’Rivera and Pascal Le Boeuf. “I look at these realizations and the re-entry into new phases of life as a metamorphosis\, much like the one a dragonfly undergoes from larva to adult. As we re-enter society\, it begs the question: How can we do better and find the beauty within ourselves? \n“On Awakening\,” he adds\, “the songs were vehicles for me to think through and solve issues related to that difficult time. With Dragonfly\, they’re about being more courageous and enlivening. Now that we’re moving into the next chapter of our existence\, how do we strike out in the world? On a personal level\, the darkness where the album begins and ends reflects my working through pain\, looking metaphorically over these past few years as I’ve experienced the transformation from a darkness into a place of light.” \nMuch of the darkness Eggar refers to is rooted in his sorrow over the loss of many special people in his life over the past year. In the album’s credits\, he dedicates Dragonfly to the aforementioned Gomeo as well as Andrew\, Mark and Ronnie. Losing so many in such a short span inspired him to think about his many vectors as a musician. Following the stark\, elegant “Prelude\,” he taps into “The Darkness\,” a graceful hypnotic piece with classical overtones (and the added heartrending texture of his cello harmony) for Andrew\, a close friend who took his own life. \nThe equally soulful\, haunting tune “Sorrow Returns” is for “Ronnie” – a nickname for Rosalyn Freundlich\, a therapist who transformed his lie at an early age\, helping him from his teens through his early 30s. This included the later period of a troubled childhood\, which ran from the highs of being a child prodigy playing the Metropolitan Opera and Carnegie Hall to running away from home. “Ronnie was more than a therapist for me\,” he says. “She was also a very powerful philosopher. Her passing had a significant impact on the recording of Dragonfly.” \nComplementing the gorgeous\, introspective piano pieces – which include “Embark\,” “Encircled\,” “Soliloquy” and “Shards of Light” – are the stately\, dramatic and hopeful “Lullaby of Kingston” (a piano rendition of the title track from his 2010 album Kingston Morning) and two tracks Eggar performs with Bristol Lightning\, the Americana quartet he formed during the quarantine period with talented bluegrass musicians he met and vibed with upon his pandemic-era move from NYC to Bristol\, TN. The group’s Blake Collins (mandolin) and Phil Faconti (guitar) appear with Eggar on the uniquely experimental\, atmosphere-rich\, mood swinging “Memories of New York” and are joined by singer Ashton Davison (providing ethereal wordless vocals) on the trippy and tension filled\, densely percussive classical/bluegrass fusion jam “Road Trip.” \nAt first\, Eggar thought these two Bristol Lightning tracks were too much of a departure from the piano-centric flow of the rest of Dragonfly – but ultimately he loved how everything worked together to capture where he’s coming from in a meditative space while expanding his repertoire\, taking risks and tackling new adventures in his life. “You can go on a road trip to explore new possibilities and also remember New York as it was and find new life there\,” he says. “These songs relate all the possibilities that await us after a long time of struggle. Through all the meditation\, we can find a time for action.” \nThough it is the closing track\, the piano piece “Onwards” flows like an unfinished folk song\, promising more magic to come. Ending with such simplicity harkens back to “Appalachian Spring\,” an enduring work by famed composer Aaron Copland\, who in his later years lived in Eggar’s hometown of Croton-on-Hudson NY and was Eggar’s piano teacher when he was six. It is also a way of acknowledging the pianist’s mellower but still quite vibrant life now in Appalachia\, considered by some to be the birthplace of country music. \nWhile Eggar’s fascinating history as a prodigy usually takes precedence in his official biographies\, it’s the way music helped the Julliard trained musician cop with the struggles of that childhood that tell the deeper story of his evolving genius. In addition to being in great demand with jazz and pop music royalty (Michael Brecker\, David Foster\, Taylor Swift\, Tony Bennett\, Andrea Bocelli and Esperanza Spalding\, among scores of others)\, he has collaborated with the New York City Ballet\, the Jose Limon Company\, Attack Theatre\, Pendulum Aerial Arts\, Shen Wei Dance\, San Francisco Ballet and Complexions Contemporary Ballet. \nEggar has also appeared as a featured soloist with the Thailand Philharmonic\, The Sydney Symphony\, the Melbourne Symphony\, the Metropolitan Opera Orchestra and the New York Philharmonic. Over the past few years\, he has collaborated on live events with yoga artist Christiane Sabo\, which allowed him to explore the idea of how emotion and meditation work in tandem. \n“I like the way the music on Dragonfly isn’t just about processing sorrow and loss in a meditative space\, but also opens up a journey from there into once again embracing the world with courage and confidence\,” says Eggar. “I am grateful for the many years I have been with Domo Records\, whose leadership always believed in my unique voice as an artist\, even when I wasn’t sure of myself. With each album\, it’s been wonderfully gratifying to see a substantial increase in people listening. With this little seed planted so long ago\, we’ve built a beautiful world of possibilities.”
URL:https://wdvx.com/event/the-wdvx-big-plate-5-22-dave-eggar/
LOCATION:Barley’s\,  200 East Jackson Avenue\, Knoxville\, TN\, 37915\, United States
CATEGORIES:Featured Events,Free Live Show,The Big Plate
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260528T120000
DTEND;TZID=America/New_York:20260528T130000
DTSTAMP:20260502T051207
CREATED:20260429T224030Z
LAST-MODIFIED:20260429T224128Z
UID:10082468-1779969600-1779973200@wdvx.com
SUMMARY:The WDVX Blue Plate Special — 5/28 — Aaron McGlone / Shane Weisman
DESCRIPTION:Aaron McGlone is a Kentucky-born singer-songwriter whose music bridges the sacred and the honky-tonk\, delivering raw\, heartfelt Americana steeped in tradition. Raised in the pews of Lower Grassy Church of Christ\, Aaron’s musical journey began with gospel harmonies and the soulful storytelling of country music. Hailing from Lexington\, KY\, Aaron has become a fixture in the regional music scene\, performing across Kentucky and neighboring states. His original compositions\, such as “Angels in a Honky Tonk\,” showcase his ability to blend spiritual themes with the grit of everyday life\, resonating with audiences seeking authenticity in music. Aaron’s performances are characterized by his rich vocals and acoustic guitar work\, creating an intimate atmosphere that captivates listeners. Whether performing solo or collaborating with other artists\, he brings a depth of emotion and sincerity to the stage that reflects his roots and personal experiences. In addition to his live performances\, Aaron has been featured on platforms like Bourbon Trail Radio\, further expanding his reach and connecting with a broader audience. His dedication to his craft and his community has solidified his reputation as a genuine voice in the Americana and country music scenes. \n \n  \nSinger\, songwriter + multi-instrumentalist Shane Weisman returns with “The Optimist\,” a timeless\, rootsy new single arriving today. With its nostalgic 70s flair —equal parts Rod Stewart swagger and Tom Petty soul — the track delivers both sonic nostalgia and emotional depth\, serving as a key piece of his forthcoming concept album Better Luck Tomorrow\, out in early 2026 via Too Fine Records. \nNarratively\, “The Optimist” paints a cinematic portrait of a nameless man in New York City who calls himself “The Optimist.” From his apartment\, he tells the story of his two neighbors: Sonny\, a college dropout chasing a dream in the city\, and Slingshot Sue\, a faded one-hit Broadway star still grasping at the echoes of fame. Through his eyes\, the song becomes a mirror for resilience\, struggle\, and the quiet hope that carries us forward. \n“My record Better Luck Tomorrow is very much about self-discovery and rebuilding after everything falls apart\,” Weisman says. “But this song — told through The Optimist’s perspective — is that voice of reason we all need sometimes. I wrote it to remind myself that it’s all gonna be okay.” \nMusically\, “The Optimist” is a masterclass in understated grandeur — highlighted by an epic guitar solo in the bridge that locks perfectly in step with a wistful harmonica line\, creating a moment that feels both nostalgic and transcendent. It’s the kind of song that could have poured out of a smoke-filled studio in 1975 — raw\, real\, and crafted with care. \nThe single previews Weisman’s upcoming full-length project\, Better Luck Tomorrow — an album he produced entirely himself. Describing the record as “about everything falling apart — and what comes after\,” Weisman set out to create a body of work that honors the integrity of true album-making. \n“My goal is to give my audience an album that’s actually crafted by the artist\,” he goes on to say.. “I didn’t sit in a room with five people trying to screw in a lightbulb. I want to revive real albums created by real artists. Let’s be real — would we buy a Picasso if he said\, ‘Hey\, this is a painting I made with a few of my friends’? Absolutely not.” \nIn addition to his own work\, Weisman has produced for other artists – including Gabe Baker’s award-winning Twelve Out Of Ten – but Better Luck Tomorrow is the sound of him fully stepping into his own voice. Real\, poetic\, and unafraid\, it’s the kind of record built to resonate long after the last note fades.
URL:https://wdvx.com/event/the-wdvx-blue-plate-special-5-28-aaron-mcglone-shane-weisman/
LOCATION:WDVX\, 301 S. Gay Street\, Knoxville\, TN\, 37902\, United States
CATEGORIES:Free Live Show,WDVX Blue Plate Special
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ORGANIZER;CN="WDVX":MAILTO:info@wdvx.com
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260529T120000
DTEND;TZID=America/New_York:20260529T130000
DTSTAMP:20260502T051207
CREATED:20260429T224721Z
LAST-MODIFIED:20260429T224733Z
UID:10082469-1780056000-1780059600@wdvx.com
SUMMARY:The WDVX Big Plate — 5/29 — Life Like Water
DESCRIPTION:Life Like Water is a multi-colored tapestry of sounds and influences. With a focus on hypnotic rhythms\, heartfelt lyrics\, and melodies that contain flavors of Appalachia\, Africa and the Middle East\, the music of this eclectic ensemble is sure to uplift and inspire.
URL:https://wdvx.com/event/the-wdvx-big-plate-5-29-life-like-water/
LOCATION:Barley’s\,  200 East Jackson Avenue\, Knoxville\, TN\, 37915\, United States
CATEGORIES:Featured Events,Free Live Show,The Big Plate
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ORGANIZER;CN="WDVX":MAILTO:info@wdvx.com
GEO:35.9708504;-83.9173131
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Barley’s  200 East Jackson Avenue Knoxville TN 37915 United States;X-APPLE-RADIUS=500;X-TITLE=200 East Jackson Avenue:geo:-83.9173131,35.9708504
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260530T100000
DTEND;TZID=America/New_York:20260530T210000
DTSTAMP:20260502T051207
CREATED:20260424T122211Z
LAST-MODIFIED:20260424T122304Z
UID:10082456-1780135200-1780174800@wdvx.com
SUMMARY:Deep Well Farm Bluegrass Festival
DESCRIPTION:ENJOY A FULL DAY OF FAMILY FUN AT DEEP WELL FARM IN LENOIR CITY\, TENNESSEE! \nSATURDAY\, MAY 30\, 2026\n10:O0AM-9:00PM \nBRING A CHAIR AND SIT AWHILE… \nAdmission is $15 per person for ages 3 & up.\nADVANCE TICKETS CAN BE PURCHASED ONLINE: CLICK HERE\nCASH ONLY at the ticket booth\n(the farm does not have internet service) \n10:00AM – FESTIVAL BEGINS CHILDREN’S PLAY AREAS WILL OPEN VENDOR MARKET AND CONCESSIONS WILL OPEN\n11:00AM – PORCH PICKERS BEGIN PERFORMING AT VARIOUS AREAS OF DEEP WELL FARM\n4:00PM – MAIN STAGE BANDS BEGIN\n9:00PM – FESTIVAL ENDS
URL:https://wdvx.com/event/deep-well-farm-bluegrass-festival/
LOCATION:Deep Well Farm\, 9567 U.S. 11 E\, Lenoir City\, 37772\, United States
CATEGORIES:Featured Events,WDVX Supported Events
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260530T120000
DTEND;TZID=America/New_York:20260530T130000
DTSTAMP:20260502T051207
CREATED:20260429T225231Z
LAST-MODIFIED:20260429T225242Z
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SUMMARY:The WDVX Blue Plate Special — 5/30 — Thin Lear
DESCRIPTION:Tell me angel of death / Do you understand yet? / I’m not the one who should’ve seen / I don’t believe in anything. Thin Lear\, begetter of elegant melancholia\, opens his sophomore album with a bridge falling and a brother’s death. What’s the reason for me seeing? / What’s the reason for anything? / Tell me angel\, if you will / Do you think of me still? This tossing of hands to the sky\, a dizzied surrender to the absurdity of existence\, drives every song that follows. \nMatt Longo grew up writing short stories; that narrative instinct pervades his music. He tends towards tragedies—some true\, some imagined\, and some stuck in between. “I’ve always gravitated to bizarre tales to access my own grief and pain\,” says Longo. From “The Mothman” event of 1960s West Virginia which inspired “Silver Bridge\,” to the “Mad Gasser” mass  hysteria of 1940s Illinois that backdrops “Mattoon\,” Longo collects peculiar lore and studies it for insights into humanity. He pairs odd plots with placating melodies\, his voice as pure and holy as a bell. The effect is uncanny—lyrics like a nightmare delivered through a lullaby. “I need something supernatural to wrestle with\, just to understand my own earthly troubles\,” he says. “I write to access a feeling and get past it.” Longo may summon the ghosts to dispel them\, but Thin Lear’s music remains vibrantly haunted\, full of eerie figures loping along\, human or otherwise\, hoping to heal. \nInfluenced on a fundamental level by the likes of David Bowie and Karen Dalton\, Longo builds a kind of sonic bridge between the two—his emotive folk pop aches and articulates from a strange\, starry place. Cultic\, mysterious\, magical. He recorded Many Disappeared with Matt Ross-Spang (Margo Price\, Jason Isbell\, John Prine) in Memphis with players including Ken Coomer (Wilco)\, Will Sexton (Alexa Rose)\, Rick Steff (Lucero)\, and Dave Smith (Al Green\, Kris Kristofferson\, Cat Power) among others. “These were guys I grew up listening to\,” Longo says. “It was an honor to be in the same room.” He sought out Ross-Spang specifically for the lively bigness he brings to any record. “Walking in there the first day\, people were emotional\, and I knew I was on the right track.” \nLongo’s grandfather passed away just before he began writing the album. “He was a loving but enigmatic kind of guy\,” Longo says. “The world felt less interesting after he left it.” Dreams followed—vivid interactions with his lost loved one every night. “I wondered if I was making it all up to make myself feel better.” He grapples with as much on “The Haunt\,” a gentle\, piano-driven track that wonders\, Have I gone crazy since you died? / ‘Cause my heart was almost breaking / From this world and all its taking / Is it only me alone and telling lies? Self-described as secular\, Longo follows his fascination with the otherworldly beyond the infrastructure of any religion. “Without it\, how do you begin to deal with the total weirdness that accompanies loss?” It’s an unpredictable investigation he leads throughout the album\, an observer as humble\, open\, and astonished as any. \nIn the same time period\, Longo and his partner were weighing the choice to have a child. “I felt like there was still so much I needed to fix about myself before I could have this thing I wanted\, a family.” He lamented his tendency to self-isolate\, his inclination toward loneliness. “How useful is this guy in the context of a family?” \nOn album standout “A Cherished Man\,” that loneliness manifests in three\, distinctly curious characters. Andy drinks himself into public humiliation on a nightly basis; Annie pokes strangers with pins on crowded urban buses; Charlie consumes gargantuan sums of corks\, stones\, and live animals for performance. It’s a work of masterful poetry\, and a poignant testament to the lengths humans will go in pursuit of connection. “I see myself in all of them\,” Longo confesses. “They’re looking for love\, they’re just not sure how to broker it.” With a delicate wail of despair—almost as though pricked—he sings: They say\, you’re only whole / You’re only true / Long as someone dreams of you / And if you’re just set up to fall / You find a way to feel at all. It’s heartrending and conciliatory at once; Longo goes to the freak show\, and sees only humans. \nLongo draws from the peculiar happenings of his own life too. “Witness” recounts one of his earliest childhood memories\, an unfortunate one. “My friend and I came across a dying cat on the road. My friend was nonchalant. I was utterly horrified.” The song rolls and bounces\, nearly jubilant\, percussively indifferent to death\, as life often is. There we stood\, two children at this summer tomb / Heard its final sputtered gasp as flowers bloomed. Longo says\, “The incident is still a touchpoint for me\, every time I come upon the same powerless feeling\, whether it be the loss of a loved one or the general anxiety that the veil between this world and the next is quite thin.” In his wise worldview\, everything is gossamer\, and so\, everything is precious. \nFor an album rich with human anguish\, Many Disappeared proves an unexpected salve. Moving through disaster\, loss\, depression\, and disillusionment\, Longo is awake to the hurt\, neither minimizing nor aggrandizing\, but addressing—and dressing—the wound. “The album isn’t just a reckoning with grief but a confrontation with the inevitable\,” he shares. A chilling endeavor he manages\, uncannily\, to make warm.
URL:https://wdvx.com/event/the-wdvx-blue-plate-special-5-30-thin-lear/
LOCATION:WDVX\, 301 S. Gay Street\, Knoxville\, TN\, 37902\, United States
CATEGORIES:Free Live Show,WDVX Blue Plate Special
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DTSTART;TZID=America/New_York:20260606T170000
DTEND;TZID=America/New_York:20260606T210000
DTSTAMP:20260502T051207
CREATED:20260421T201406Z
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SUMMARY:Summer Sessions - 6/6 - Amythyst Kiah / Cheap Souvenirs
DESCRIPTION:This event is free and takes place at Yee-Haw this time around! Have some fun with The ORNL Summer Sessions! \nThe Rounder Records debut from Amythyst Kiah\, Wary + Strange marks the glorious collision of two vastly different worlds: the iconoclastic alt-rock that first sparked her musical passion\, and the roots/old-time-music scene where she’s found breakout success in recent years\, including recognition from Rolling Stone as “one of Americana’s great up-and-coming secrets.” Along with tapping into the vibrant musicality she honed in part through her studies in East Tennessee State University’s Bluegrass\, Old Time\, Country Music program\, the Chattanooga-bred singer/songwriter expands on the uncompromising artistry she’s displayed as a member of Our Native Daughters—an all-women-of-color supergroup whose Kiah-penned standout “Black Myself” earned a GRAMMY nomination for Best American Roots Song and won Song of the Year at the Folk Alliance International Awards. \nCheap Souvenirs is a Knoxville\, Tennessee based Rock n Roll band!Kevin Hyfantis – Vocals/GuitarJosh Hutson – GuitarLauryl Brisson – DrumsStirling Walsh – Bass
URL:https://wdvx.com/event/summer-sessions-6-6-amythyst-kiah-cheap-souvenirs/
LOCATION:Yee Haw Brewing Co\, 745 N Broadway\, Knoxville\, TN\, 37917\, United States
CATEGORIES:Featured Events,Free Live Show,WDVX Featured Events
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DTSTART;TZID=America/New_York:20260611T200000
DTEND;TZID=America/New_York:20260611T200000
DTSTAMP:20260502T051207
CREATED:20260311T183426Z
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SUMMARY:Paul Thorn Presented by WDVX — Live at the Bijou — 6/11
DESCRIPTION:Get tickets here! \n“Life Is Just A Vapor”\nWhen it comes to songwriting\, less is more\, and simplicity is strength. Just ask Paul Thorn\, who’s spent three decades turning soulful grooves and small syllables into songs that pack a big wallop. Maybe he learned the power of minimalism from his years as a pro boxer; maybe it just comes naturally. But whether he’s targeting heads\, hearts\, hips or the occasional funny bone\, he somehow manages to condense large nuggets of wisdom into tight little mantras\, the kind embroiderers stitched onto pillows before internet memes existed. \nThorn’s new album\, Life is Just A Vapor\, contains some beauties: “Life is a vapor\, let’s live it while we can”; “tough times don’t last\, but tough people do” (from “Tough Times Don’t Last”); “any mountain up ahead is just a hill” (from “Old Melodies”). They’re words of advice\, comfort\, support\, encouragement\, often meant to uplift\, especially in times of struggle. \n“I like for people to be touched by music and get something from it\, something that they can take with them throughout the day\,” Thorn says. “Every song on this album\, there’s a message in it of some sort about how to live life.” \nAmerican Blues Scene writer Don Wilcock calls Thorn “an everyman (who) addresses things we all think about\, but few can articulate with the kind of candor\, humor and folksy truth that immediately endear him to almost everyone lucky enough to hear his music.”
URL:https://wdvx.com/event/paul-thorn-presented-by-wdvx-live-at-the-bijou-6-11/
LOCATION:Bijou Theatre\, 803 South Gay Street\, Knoxville\, TN\, 37902\, United States
CATEGORIES:Featured Events,WDVX Supported Events
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DTSTART;TZID=America/New_York:20260617T190000
DTEND;TZID=America/New_York:20260617T210000
DTSTAMP:20260502T051207
CREATED:20260422T150154Z
LAST-MODIFIED:20260422T150213Z
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SUMMARY:WDVX Summer Nights - 6/17 - Redd & The Paper Flowers / Ettore Buzzini
DESCRIPTION:WDVX Summer Nights\nWednesday\, June 17\, 2026 | Doors 6:00 PM | Show 7:00 PM\nYee-Haw Brewing\, Knoxville\, TN\nFREE | All Ages \nWDVX is proud to present another night of free live music on the big stage at Yee-Haw Brewing for the 2026 Summer Nights concert series! \n\n\n\n\n\n\nRedd & The Paper Flowers’s origin begins in 2021 when Redd Daugherty met Gavin Gregg at Carolina Ale House in Knoxville\, TN. Former bassist\, Will Ross\, invited Gavin to play a set\, and since then\, Redd and Gavin have been inseparable.\n\n\n\n\n\n\n\nKatie Adams and Colleen d’Alelio were first introduced to Redd and Gavin at the Open Chord Open Mic in Knoxville\, TN\, as they were building community in a new city. They completed their bachelors at Ithaca University and moved to Knoxville during Katie’s master’s degree completion at The University of Tennessee. \nThe group hit a rough patch in February of 2023 after the tragic murder of Redd’s dear friend\, Jason Cooper\, by his roommate. Coop left Rush’s Music\, a local band instrument rental store that services 90 schools and roughly 3\,000 students\, to Redd without her knowledge. Redd began working at Rush’s in 2011 through her bachelor’s and master’s degrees before ultimately quitting to teach high school English at L&N STEM Academy–a local\, public magnet school in Knoxville. It was at Rush’s Music where she met and befriended Coop\, and they remained dear friends until his untimely death. \nTheir debut album\, Appalachian Bell Jar\, which they began tracking in January of 2023\, was put on hold–as well as touring–until Redd could address the needs of Rush’s Music and the greater\, Knoxville music community\, which relied on Rush’s. \nMembers Katie and Gavin were able to quit their previous jobs to help at the music store. Redd credits Katie\, Colleen\, and Gavin for giving her direction\, meaning\, and purpose during an intense time of grief and overwhelm\, and they credit this tragedy in strengthening their bond as a band and group of best friends. \nAfter so much change and loss\, it became very clear to the band that each other and their music was the most important priority. \nTheir debut album\, Appalachian Bell Jar\, released on May 12th 2025.  \n​Others have described Redd & The Paper Flowers’ music as Appalachian Jazz\, Appalachian Folk\, and Folk-grass.  \nWhile they truly enjoy all of those genre descriptors\, the band self identifies as “Living Room Folk.” Their superpower is the energy and joy each band mate pulls from playing music together\, and those feelings are often transferred to sweet listeners–making them feel cozy\, as if they were receiving a concert in their living room.  \nThe band is currently in the studio for their sophomore album\, Dead Little Thing\, that highlights the struggles of 2023 – 2024\, which will release in the fall of 2026. \nThe group is based in Redd’s hometown of Knoxville\, TN. \n\nWhen you think about bluegrass music\, you don’t think about grand emotional and spiritual journeys that pierce your soul; yet that is exactly what Swiss-American songwriting and banjo prodigy Ettore Buzzini is creating with his innovative\, classical-infused but deeply traditional bluegrass music. Imagine Earl Scruggs had been influenced by Led Zeppelin and Chopin and you’ll get an idea of Ettore’s sound. \nEttore(pronounced like “Letter-A”) has a decidedly youthful take on traditional bluegrass\, rooted in tradition\, but with an innovative\, distinctive picking style\, and a unique gift of songwriting . To the casual listener\, Ettore’s sound is simply hard-driving bluegrass. But anyone who listens a little more closely will quickly notice that Ettore’s unique music weaves together the iconic acoustic sounds of bluegrass\, the youthful energy and hard drive of pop-rock\, and the emotional journeys of classical romantic music. \nHis unique\, fresh style is a product of his roots on both sides. He was imbued with the classical tradition while living with his family in Italian-speaking Switzerland\, as a toddler. At age 6\, his East Tennessee grandfather introduced him to Flatt & Scruggs\, and he was hit by bluegrass like a lightning bolt. He begged his parents for a banjo for nearly 3 years until\, at age 9\, they relented. Ettore’s love for banjo expanded as he devoured the traditional bluegrass classics\, while also becoming enthralled by the power of classical music\, inspired by his Swiss grandparents’ sacred choir. Ettore made a name for himself at youth competitions in the Blue Ridge Mountains with his prodigious banjo picking style as well as his mastery of flatpicking guitar. He then cemented his reputation as a prodigy when\, at just 11 years old\, he won the Kruger Brothers’ Young Songwriter’s Contest\, with an original banjo and lyrical composition about the Norse mythology of Ragnarok. By age 14\, he had released his first album\, after being approached by legendary bluegrass record label Patuxent Records. \nEttore has collaborated and performed with bluegrass legends Pete Wernick\, Danny Paisley\, Mark Schatz\, Patrick MacAvinue\, Christopher Henry\, and many others. He has been featured at celebrated festivals such as Merlefest and FloydFest\, PBS’s Woodsongs\, and more. At age 16\, competing against industry professionals\, he won the prestigious Fresh Grass Competition with his original composition\, “The Birth of Eros”\, a hard-driving banjo instrumental with a classical romantic theme of a lost soul’s hope of redemption and love. \nEttore’s young star is soaring in the bluegrass scene\, where his unique\, virtuosic sound is garnering Between his prodigious musical talent\, unique songwriting\, and an infectious love of the music\, he may just succeed in turning GenAlpha into GenBlue. \n  \nThanks to our sponsors: Yee-Haw Brewing\, ORNL Federal Credit Union\, and Garza Law. \n 
URL:https://wdvx.com/event/wdvx-summer-nights-6-17-redd-the-paper-flowers-ettore-buzzini/
LOCATION:Yee Haw Brewing Co\, 745 N Broadway\, Knoxville\, TN\, 37917\, United States
CATEGORIES:Featured Events,Free Live Show,WDVX Featured Events,WDVX Summer Nights
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DTSTART;TZID=America/New_York:20260701T193000
DTEND;TZID=America/New_York:20260701T193000
DTSTAMP:20260502T051207
CREATED:20260211T172705Z
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SUMMARY:Josiah and the Bonnevilles: The Redline North American Tour — Live at the Bijou — 7/1
DESCRIPTION:Click here for tickets! \nJosiah Leming has paid his dues. As a teenager from East Tennessee\, his devotion to music led him to hit the road\, where he lived in his car and played for anyone who would listen. That took him all the way to a major record deal when he was only nineteen. When that ended\, he refused to give up and became an indie artist\, relying solely on the music and his undeniable gift for crafting relatable songs that led to a devoted fan base he calls the Bonnevilles. He appreciates them so much that he includes them in his artist name. “They’re the reason I’m able to make music\,” he says. \n2024 saw Josiah and the Bonnevilles reaching new heights\, completing a headlining tour of thirty-three sold-out dates followed by a slew of international stops that proved his global following. He has become known for raw emotion and a profound connection to his audience. This newfound attention has led to much anticipation for his new album — and As Is lives up to the expectations. \n“I knew I had a responsibility to try to become a better writer\, a better artist\,” he says. “One day that feels like a blessing\, and the next it feels pretty intimidating.” Instead of reproducing his popular sound from the self produced “Endurance”\, he decided to expand it. “I think it would have been hard to keep my excitement to go out on the road with another kind of acoustic record.” \nHis tenth studio album finds him going more electric than ever before\, even as he unplugs from the digital world. “I feel like a grizzled old veteran at this point\,” he says\, even though he is only thirty-six. “I’m desiring quiet\, a work space away from the internet…I felt like it was important to pull back this last year and try to understand what’s on my heart.” What he found there resulted in an album focusing on joy\, sorrow\, and working-class issues that feel very of the moment in a time when so many Americans are struggling to make ends meet. \nLeming comes by his empathy for working people honestly. He’s one of nine siblings\, born and raised in Morristown\, Tennessee\, right in the heart of Appalachia. He taught himself piano when he was eight and was writing songs by thirteen. As a child he was intently aware of his community and intensely proud of his people\, something he thinks about even more in these trying times. “I look at my folks in East Tennessee and very few of them seem to be winning in this new world\,” Leming says. “Being a regular person\, working\, trying your best. I think that’s something to be proud of.” \nHis records have always been intensely personal. But on As Is he wanted to step away from being the main character and instead use vignettes to express essential truths he has learned. “I want anyone to be able to put it on and not think about me when they’re listening. I want them to be in the emotion.” Because of this he made a conscious choice to not include himself on the album cover. \nLeming chose ten tracks from ninety-six songs he has written over the last year and a half. As Is features the most co-writes he has ever recorded. “I love writing alone\, but I wanted to bring in some trusted partners on this one\,” he says. The resulting list features some of the most acclaimed songwriters working today. There’s Nashville powerhouse Natalie Hemby\, a two-time Grammy winner who has written for everyone from Lady Gaga to Miranda Lambert; Joel Little\, a Grammy winner who has written with Lorde\, Taylor Swift\, Noah Kahan\, and many others; Scott Harris\, best known for work he’s produced or written for artists such as Shawn Mendes\, Dua Lipa\, and The Chainsmokers; and others. \nTo help him find the sound he hoped to achieve\, Leming brought in Konrad Snyder as a co-producer. Snyder has engineered or produced some of the best work to come out of Nashville in the last decade\, including tracks by Kacey Musgraves\, Stephen Sanchez\, and Noah Kahan. “It was an amazing partnership with Konrad\,” Leming says. “I never had to touch a computer or a piece of gear; he’s a whiz with all that stuff. I’m usually so hands-on with my stuff\, switching between setting up\, tracking and editing but on this record I got to just perform the songs.” \nThe songs on As Is feature Leming’s vivid sense of place\, precise yet poetic lyrics\, and  emotion that is always longingly expressed by his vulnerable vocals. This collection is more up-tempo than most of his work\, which is something Leming and Snyder strived to make happen on about half the songs. “I was thinking a lot about the energy\, of having a couple songs that can amp up people at live shows\,” he says. \nThis power is especially apparent on songs like opening track “Good Boy”\, which boils toward a rousing breakdown\, “Carolina Heart”\, a tune Leming calls “less existential and my attempt at a feel-good song\,“ and “Going Gone”\, a nostalgic track about the passage of time. “Mountain Girl” is a foot-tapping harmonica-led tribute to Appalachian women. There’s the jaunty rock of “Redline”\, and a song called “One Day at a Time” that is sure to resonate with anyone who has ever struggled with addiction\, depression\, or a lack of confidence. Leming’s fans often cite his storytelling abilities as one reason they love his work\, and that takes center stage on the title track\, a spoken-word song. “Where It Starts” is a meditation on how heartache can lead to great art. The first single is the powerful “Hell Without the Flames\,” the album’s darkest track that also showcases some of the best lyrics and vocals of his career. \nThey all make for a collection of songs that take the listener full circle. “I just want people to be able to see themselves in the songs.” \nThat’s what it’s all about for Leming. “The only goal for me is to make something real\, and honest\, and that can get them through the day\,” he says. “I gave everything I have for this album. I laid it all on the table\, which is what I always want to do.” As Is proves to be all of that\, and more\, a milestone for one of our most authentic and resonant artists working today.
URL:https://wdvx.com/event/josiah-and-the-bonnevilles-the-redline-north-american-tour-live-at-the-bijou-7-1/
LOCATION:Bijou Theatre\, 803 South Gay Street\, Knoxville\, TN\, 37902\, United States
CATEGORIES:Featured Events,WDVX Supported Events
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DTSTART;TZID=America/New_York:20260722T190000
DTEND;TZID=America/New_York:20260722T210000
DTSTAMP:20260502T051207
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SUMMARY:WDVX Summer Nights - 7/22 - Bronwyn Keith-Hynes / The Naughty Knots
DESCRIPTION:WDVX Summer Nights\nWednesday\, July 22\, 2026 | Doors 6:00 PM | Show 7:00 PM\nYee-Haw Brewing\, Knoxville\, TN\nFREE | All Ages \nWDVX is proud to present another night of free live music on the big stage at Yee-Haw Brewing for the 2026 Summer Nights concert series! \nBronwyn Keith-Hynes has long been renowned as a prolific instrumentalist\, earning two IBMA Fiddle Player of the Year awards as well as a Grammy for her work with Molly Tuttle & Golden Highway. \nAs a child\, music lessons gradually transitioned into public performances\, with a particular emphasis on Irish music after her family relocated to Charlottesville\, Virginia. And her lifelong musical education continues to shape her work today. A background in dance makes her a captivating and energetic live performer. An on-stage collaboration with fellow Charlottesville native Dave Matthews taught her how a crowd could feed your energy. And attending Berklee during the early years of its American Roots Music program offered inspiration from classmates like Sierra Hull and Alex Hargreaves—as well as an introduction to Tuttle and most of Bronwyn’s Golden Highway bandmates.  “My favorite bluegrass musicians today are the ones who are rooted in traditional music\, but don’t really see any boundaries\,” she says. “It’s as if they draw from a traditional bluegrass vocabulary\, but use it to say what they want to say.” \nNow\, as her own entry in bluegrass history expands from celebrated instrumentalist to bandleader and frontwoman\, Bronwyn isn’t just crafting a career in the image of genre greats like Sam Bush and Jerry Douglas; she’s bringing them along for the ride. Both Bush and Douglas are featured as players on her latest album I Built a World\, and they’re not the only of Bronwyn’s musically-inclined pals and heroes to make an appearance. \nOpening this evening will be The Naughty Knots\, with includes WDVX’s own Sarah Pirkle! \nThanks to our sponsors: Yee-Haw Brewing\, ORNL Federal Credit Union\, and Garza Law. \n 
URL:https://wdvx.com/event/wdvx-summer-nights-7-22-bronwyn-keith-hynes-the-naughty-knots/
LOCATION:Yee Haw Brewing Co\, 745 N Broadway\, Knoxville\, TN\, 37917\, United States
CATEGORIES:Featured Events,Free Live Show,WDVX Featured Events,WDVX Summer Nights
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DTSTART;TZID=America/New_York:20260729T193000
DTEND;TZID=America/New_York:20260729T193000
DTSTAMP:20260502T051207
CREATED:20260424T163849Z
LAST-MODIFIED:20260424T163901Z
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SUMMARY:Graham Nash — Live at the Bijou — 7/29
DESCRIPTION:Get Tickets Here! \nNash is a two-time Rock and Roll Hall of Fame inductee\, with Crosby\, Stills\, and Nash\, and with the Hollies. He was also inducted twice into the Songwriters’ Hall of Fame\, as a solo artist and with CSN\, and he is a GRAMMY Award winner. \nTowering above virtually everything that Graham Nash has accomplished in his multi-faceted career stands the litany of songs that he has written and introduced to the soundtrack of the past half-century. His remarkable body of work\, beginning with his contributions to the Hollies opus\, including “On a Carousel” and “Carrie Anne\,” continues all the way to Now (2023)\, his most recent solo album. \nThe original classic union of Crosby\, Stills & Nash (& Young) lasted but twenty months.  Yet their songs are lightning rods embedded in our DNA\, starting with Nash’s “Marrakesh Express\,” and “Lady of the Island\,” from the first Crosby\, Stills & Nash LP (1969)\, and “Teach Your Children” and “Our House” on CSNY’s Déjà Vu (1970). \nNash’s solo career debuted with Songs For Beginners (1971)\, which included “Chicago/We Can Change the World” and “Military Madness” and others. In addition to his string of solo albums\, he has performed and recorded with David Crosby as Crosby/Nash. Their eponymously titled Graham Nash/David Crosby (1972) is bookended by Nash’s “Southbound Train” and “Immigration Man”.
URL:https://wdvx.com/event/graham-nash-live-at-the-bijou-7-29/
LOCATION:Bijou Theatre\, 803 South Gay Street\, Knoxville\, TN\, 37902\, United States
CATEGORIES:Featured Events,WDVX Supported Events
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DTSTART;TZID=America/New_York:20260805T193000
DTEND;TZID=America/New_York:20260805T193000
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LAST-MODIFIED:20260424T170540Z
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SUMMARY:An Evening With Patty Griffin — Live at the Bijou — 8/5
DESCRIPTION:Get Tickets Here! \nPatty Griffin is among the most consequential singer-songwriters of her generation\, a quintessentially American artist whose wide-ranging canon incisively explores the intimate moments and universal emotions that bind us together. \nOver two decades\, the 2x GRAMMY® Award winner – and 7x nominee – and Americana Music Association Lifetime Achievement award winner\, has crafted a remarkable body of work in progress that prompted the New York Times to hail her for “[writing] cameo-carved songs that create complete emotional portraits of specific people…[her] songs have independent lives that continue in your head when the music ends.” \n2019 saw the acclaimed release of the renowned artist’s GRAMMY® Award-winning 10th studio recording\, PATTY GRIFFIN. One of the most deeply personal recordings of Griffin’s remarkable two-decade career and first-ever eponymous LP\, PATTY GRIFFIN made a top 5 debut on Billboard’s “Independent Albums” chart amidst unprecedented worldwide acclaim\, and later\, a prestigious GRAMMY® Award for “Best Folk Album.” \nGriffin’s new album\, CROWN OF ROSES\, is a deeply personal and introspective work that explores themes of identity\, nature\, family\, and womanhood. Emerging from a creative drought during the pandemic\, Griffin found herself re-evaluating the stories she’d long told herself. The result is an eight-track collection that is both sparse and emotionally rich\, blending folk\, Americana\, and blues. With CROWN OF ROSES\, Griffin offers a record that’s both grounded and transcendent — one that invites listeners to release old narratives\, embrace new truths\, and stay truly alive while they’re here. Having crafted a rich catalog that chronicles love and death\, heartache and joy\, connection and detachment\, Patty Griffin continues to push her art forward\, as always imbuing every effort with compassion and craft\, uncanny perception\, and ever-increasing ingenuity.
URL:https://wdvx.com/event/an-evening-with-patty-griffin-live-at-the-bijou-8-5/
LOCATION:Bijou Theatre\, 803 South Gay Street\, Knoxville\, TN\, 37902\, United States
CATEGORIES:Featured Events,WDVX Supported Events
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GEO:35.9623478;-83.9170961
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260812T190000
DTEND;TZID=America/New_York:20260812T210000
DTSTAMP:20260502T051207
CREATED:20260422T160432Z
LAST-MODIFIED:20260427T181555Z
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SUMMARY:WDVX Summer Nights - 8/12 - Jeanine Fuller & The True Funk Souldiers / Blue Mother Tupelo
DESCRIPTION:WDVX Summer Nights\nWednesday\, August 12\, 2026 | Doors 6:00 PM | Show 7:00 PM\nYee-Haw Brewing\, Knoxville\, TN\nFREE | All Ages \nWDVX is proud to present another night of free live music on the big stage at Yee-Haw Brewing for the 2026 Summer Nights concert series! \nJeanine’s rich contralto tone\, broad vocal range\, eclectic mixed styles of soul\, blues\, jazz\, gospel\, rock\, some classical\, along with her various musical influences\, ranging from Etta James\, Dianne Reeves\, Chaka Khan to Stevie Wonder\, Michael Jackson & Prince\, she is sure to captivate and convey soulful engaging\, inspiring performances. \nHer vast versatility goes from leading and performing  with her dynamic\, Soul/Funk based Tribute Band\, Jeanine Fuller and The True Funk SOULdiers\, to performing regularly for her loyal\, locally based fans either as solo name sake band\, or in more intImate acoustic style jazz/blues/soul duo and trio settings\, throughout. \nJeanine’s versatility\, powerful self affirming lyrics and catchy hooks are embodied in her recently debuted EP album\, entitled\, Endurance\, will inspire and enlighten both young and older audiences alike.  She is grateful that her music has gained attention both in the US and abroad. \nIn 2025 Jeanine earned International awards as Best Vocalist -multi genre and for her single\, “How Long”.  She is also a 5 time U.S. Independent award nominee\, including as Vocalist of the Year (R&B/Soul & Adult Contemporary)\, as well as Jazz/Blues Album/EP of the Year! \nJeanine is also the 2025 Regional International Blues Challenge winner\, sending her to the Finals in Memphis in January 2026. \n  \nFrom the bluffs of Memphis to the mountains of east Tennessee\, through the Mississippi Delta & 21 years in Nashville\, Blue Mother Tupelo oozes a deep kind of blue southern soul & rootsy country rock sound that’s been described as truly Americana. The married songwriting & recording-artist duo of Ricky & Micol Davis known as Blue Mother Tupelo have been recognized for their natural way of playing off of each other’s voices & their live performances are soulfully raucous and tender. With 7 albums to their credit\, BMT songs & albums have charted #5 in Americana\, #2 Euro-Americana\, Top 40 U.S. Country. Blue Mother Tupelo was chosen as Music Artist of the Year 2022 by The Southland Music Line and has been honored by Broadcast Music Incorporated (BMI) among ten featured songwriters to perform on “The New Sounds Of Nashville” concert. \nThanks to our sponsors: Yee-Haw Brewing\, ORNL Federal Credit Union\, and Garza Law. \n 
URL:https://wdvx.com/event/wdvx-summer-nights-8-12-jeanine-fuller-the-true-funk-souldiers-blue-mother-tupelo/
LOCATION:Yee Haw Brewing Co\, 745 N Broadway\, Knoxville\, TN\, 37917\, United States
CATEGORIES:Featured Events,Free Live Show,WDVX Featured Events,WDVX Summer Nights
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ORGANIZER;CN="WDVX":MAILTO:info@wdvx.com
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260823T190000
DTEND;TZID=America/New_York:20260823T190000
DTSTAMP:20260502T051207
CREATED:20260202T171130Z
LAST-MODIFIED:20260202T171759Z
UID:10082399-1787511600-1787511600@wdvx.com
SUMMARY:Tommy Emmanuel - Live at the Tennessee Theatre - 8/23
DESCRIPTION:Get Tickets Here! \nHailed as “one of the best acoustic guitarists in the world” by NPR’s World Cafe\, Tommy Emmanuel got his start at the age of six\, when he first began touring his native Australia with his family’s band. As a teenager\, he earned a reputation as a highly sought after sideman and session player\, and by his early twenties\, Emmanuel was playing on chart-topping hits and performing with acts like Air Supply and Men at Work. Inspired in part by his hero\, Chet Atkins (who would later become a friend\, mentor\, and collaborator)\, Emmanuel stepped out on his own as a solo artist in 1979\, releasing the first in a string of acclaimed instrumental albums that would make him an unlikely celebrity in his home country and beyond.
URL:https://wdvx.com/event/tommy-emmanuel-live-at-the-tennessee-theatre-8-23/
LOCATION:Tennessee Theatre\, 604 S Gay St\, Knoxville\, 37902\, United States
CATEGORIES:Featured Events,WDVX Featured Events,WDVX Supported Events
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ORGANIZER;CN="WDVX":MAILTO:info@wdvx.com
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260904T080000
DTEND;TZID=America/New_York:20260906T170000
DTSTAMP:20260502T051207
CREATED:20260424T165250Z
LAST-MODIFIED:20260424T165303Z
UID:10082458-1788508800-1788714000@wdvx.com
SUMMARY:Earl Scruggs Music Festival
DESCRIPTION:Get Tickets Here! \nAt the foot of the Blue Ridge Mountains\, just miles from Earl Scruggs’ Cleveland County birthplace\, the Earl Scruggs Music Festival is where the music comes home. Set across the rolling\, walkable grounds of Tryon International Equestrian Center\, this multi-day celebration honors the three-finger banjo innovator who changed American music forever—while inviting a new generation to pick\, play\, and push the sound forward. Presented in partnership with the Earl Scruggs Center and WNCW-FM\, the festival blends bluegrass\, Americana\, and roots into something both reverent and restless—just like Earl himself. \nIn just a few short years\, Scruggs Fest has become one of the most talked-about gatherings in roots music—named 2025 Event of the Year by the International Bluegrass Music Association and praised by The Bluegrass Situation for “raising the bar for bluegrass festivals.” From once-in-a-lifetime collaborations to headline sets by icons and boundary-breakers alike\, the stages echo with the far-reaching influence of a man whose style reshaped the banjo—and the soundtrack of America. As Rolling Stone declared\, “Banjo reigns supreme\,” and by weekend’s end—when voices rise together in “Will the Circle Be Unbroken”—you can feel it: this is more than a festival. It’s a reunion. A revival. A reminder. \nBut beyond the spotlight moments and star-studded sets\, what truly defines the Earl Scruggs Music Festival is its spirit. Campers swapping tunes at sunrise. Junior Appalachian Musician Students finding their footing onstage. Families dancing barefoot. Friends returning year after year\, saying\, “We wouldn’t miss this for anything.” It’s a place rooted in tradition but alive with possibility—where legends mingle with newcomers\, where workshops and jam sessions spark inspiration\, and where the banner’s promise rings true: The Music Is Coming Home. Whether you’re a lifelong picker or simply chasing that sound in your bones\, there’s a spot for you here. Welcome home.
URL:https://wdvx.com/event/earl-scruggs-music-festival/
LOCATION:Tryon International Equestrian Center\, 25 International Blvd\, Mill Spring\, NC\, 28756\, United States
CATEGORIES:Featured Events
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260909T190000
DTEND;TZID=America/New_York:20260909T210000
DTSTAMP:20260502T051207
CREATED:20260422T201313Z
LAST-MODIFIED:20260422T202641Z
UID:10082451-1788980400-1788987600@wdvx.com
SUMMARY:WDVX Summer Nights - 9/9 - The Jason Carter Band / The Asheville Mountain Boys
DESCRIPTION:WDVX Summer Nights\nWednesday\, September 9\, 2026 | Doors 6:00 PM | Show 7:00 PM\nYee-Haw Brewing\, Knoxville\, TN\nFREE | All Ages \nWDVX is proud to present another night of free live music on the big stage at Yee-Haw Brewing for the 2026 Summer Nights concert series! \n  \nIn Lloyd\, Kentucky\, on U.S. 23\, there’s a sign on the Country Music Highway dedicated to renowned fiddler Jason Carter. It was placed there because of his other accomplishments—the Grammy awards\, the worldwide tours\, and the many other accolades he’s earned through his music. But for Carter\, joining the legendary names honored on that stretch of highway just might mean the most. “There’s a certain sound that’s up there that you just don’t hear anywhere else\,” he says. “I think that played a big part in how I sound today.” \nTrue to those Kentucky roots\, Carter continues to pour all he has back into bluegrass. For thirty years\, he has been the fiddle player for the Del McCoury Band—the most awarded group in bluegrass history. He’s won three Grammy awards\, including 2018’s “Best Bluegrass Album” with the Travelin’ McCourys\, of which he is a founding member. And he’s taken home five IBMAs for “Fiddle Player of the Year\,” a staggering number that isn’t quite so crazy once you realize just how many bluegrass greats have turned to Carter for collaboration. \nAs a fiddler\, Carter has been featured on albums by Steve Earle\, Ricky Skaggs\, Dierks Bentley\, Charlie Daniels\, Vince Gill\, Asleep at the Wheel\, and many more\, all in addition to his tireless touring and recording with Del as well as the Travelin’ McCourys. On Carter’s forthcoming solo album\, Lowdown Hoedown\, listeners may recognize instrumental contributions from such legends as Jerry Douglas or Sam Bush alongside vocals from young trailblazers like Sarah Jarosz or Billy Strings. This time\, though\, Carter is singing lead. \n  \nBy their name\, you know where they are from\, and by their sound\, you know what they are about. The Asheville Mountain Boys are on a mission to capture not just the style but the spirit of traditional bluegrass. Asheville\, NC has long been known for great music and its roots in bluegrass go back to the founding of the genre (Bill Monroe’s first broadcast performance as the Bluegrass Boys was at Asheville radio station WWNC in 1938) A group that firmly stakes its claim to the tradition of the music from the area\, The Asheville Mountain Boys spring onto the scene with a thought\, ”What happened to bluegrass?” It’s not a disparaging one that condemns current styles in the genre but rather asks\, “Why do we love this music in the first place” and answers with an approach that is true to the originators of the genre in the sense of both style and philosophy. Bluegrass is raw emotion\, excitement\, drive\, and authenticity. It is not sanitized or compromised but a reflection of the lives of those who play it. It’s storytelling that follows a throughline of tradition. \n  \nThanks to our sponsors: Yee-Haw Brewing\, ORNL Federal Credit Union\, and Garza Law. \n 
URL:https://wdvx.com/event/wdvx-summer-nights-9-9-the-jason-carter-band-the-asheville-mountain-boys/
LOCATION:Yee Haw Brewing Co\, 745 N Broadway\, Knoxville\, TN\, 37917\, United States
CATEGORIES:Featured Events,Free Live Show,WDVX Featured Events,WDVX Summer Nights
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ORGANIZER;CN="WDVX":MAILTO:info@wdvx.com
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260919T170000
DTEND;TZID=America/New_York:20260919T210000
DTSTAMP:20260502T051207
CREATED:20260422T195156Z
LAST-MODIFIED:20260422T195304Z
UID:10082450-1789837200-1789851600@wdvx.com
SUMMARY:Summer Sessions - 9/19 - Shawn Camp / Verlon Thompson / Madelyn Tallent
DESCRIPTION:The event is free\, and takes place at the Museum of Appalachia in Clinton\, TN! Have some fun with The ORNL Summer Sessions! \n  \nShawn Camp began playing guitar as a small child\, growing up outside Perryville\, Arkansas. Mandolin and fiddle followed\, all before he could drive. He remembers dreaming of melodies\, waking up\, and being able to play them. “I just always loved music. It’s been my everything\, really\,” Camp says. “My dad worked out of state\, so we moved around a lot. Whenever we’d go somewhere\, I’d carry a stack of records and a little record player with my guitar. Music was my only constant––that\, and my mom and dad.” \nA prodigy who never knew how to be anything but\, Camp moved to Nashville at 20\, and found early gigs playing with the Osborne Brothers\, Jerry Reed\, Alan Jackson\, Shelby Lynne\, and Trisha Yearwood. Then\, he really started writing––and singing with sly grace\, smooth but earthy. Camp released his first solo album\, Shawn Camp\, on the Reprise (Warner Bros.) label\, but found his biggest success as a songwriter\, penning hits for Willie Nelson\, Garth Brooks\, Brooks & Dunn\, Josh Turner\, Blake Shelton\, George Strait\, and many others. He became a trusted collaborator of John Prine\, Loretta Lynn\, and of course\, Clark\, with whom he wrote constantly\, and toured occasionally. When Clark won a Grammy in 2014 for his final album\, My Favorite Picture of You\, Camp took home a statue as one of the record’s producers. In 2015\, Camp took home another Grammy\, this time\, as lead vocalist for bluegrass supergroup the Earls of Leicester. \nSongwriters seem to flourish on the fertile Oklahoma plains. Woody Guthrie\, Roger Miller\, Leon Russell\, J.J. Cale and Jimmy Webb. Add Verlon Thompson to that list. \nThirty years as a professional songwriter and traveling troubadour serve as credentials. As a solo performer\, and as the trusted sidekick of Texas Americana songwriting icon Guy Clark\, Verlon has viewed the world from stages everywhere from Barcelona to Binger (his hometown in Oklahoma). \nAlong the way Verlon Thompson compositions have been recorded by Jimmy Buffett and Alan Jackson\, Dierks Bentley\, Anne Murray\, The Nitty Gritty Dirt Band\, Kenny Rogers\, Randy Travis\, Del McCoury\, Sam Bush\, Trisha Yearwood and many more. \nVerlon has co-produced Guy Clark’s Grammy nominated cd “Cold Dog Soup” as well as “The Dark”\, “Workbench Songs” and “Somedays the Song Writes You”. \nEqually important in his songwriting and live performances\, Verlon’s guitar work cannot go unnoticed. His guitar can be heard on recordings by Restless Heart\, Pam Tillis\, and many more\, including\, and especially Guy Clark. \n  \nMadelyn Tallent is a singer/songwriter particularly loving the folk/Americana side of country and some southern rock. \n  \nSupport for WDVX comes from ORNL Federal Credit Union!
URL:https://wdvx.com/event/summer-sessions-9-19-shawn-camp-verlon-thompson-madelyn-tallent/
LOCATION:Museum of Appalachia\, 2819 Andersonville Hwy\, Clinton\, TN\, 37716\, United States
CATEGORIES:Featured Events,WDVX Featured Events
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261009T080000
DTEND;TZID=America/New_York:20261011T170000
DTSTAMP:20260502T051207
CREATED:20260402T181159Z
LAST-MODIFIED:20260402T181211Z
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SUMMARY:CaveFest — 10/10 thru 10/11
DESCRIPTION:Get Tickets Here! \nNow in its fifth year\, CaveFest at The Caverns is one of the most unique festival experiences in the region\, combining live music with the natural wonders of one of Tennessee’s most extraordinary underground venues. Music happens both above and below ground\, making for an atmosphere you simply cannot find anywhere else. \nCaveFest 2026 Full Line-Up: Gillian Welch & David Rawlings\, Peter Rowan & Sam Grisman Project\, Rising Appalachia\, Keller & The Keels\, John Prine 80th Birthday Celebration featuring The Tree of Forgiveness Band with special guests\, Bristol Sessions 100th Anniversary Celebration (feat. Carlene Carter\, Elizabeth Cook\, Dom Flemons\, Jim Lauderdale\, Ashley Monroe)\, Lindsay Lou\, Dom Flemons & The Traveling Wildfires\, Jim Lauderdale & The Game Changers\, Fruition\, Scott Miller & The Commonwealth\, Airshow (2 Late Nights)\, Uncle B’s Damned Ole Opry\, Slay & Stinson\, Hudost\, Modern Biology: Music Made From Plants & Mushrooms\, Three Tall Pines\, The Flea Market Hustlers\, plus special album sets and tributes: Peter Rowan & Sam Grisman Project play Old & In the Way\, Lindsay Lou plays Sublime’s Sublime\, Airshow play Billy Breathes and a Bob Weir tribute\, Uncle B’s Damned Ole Opry play The Beatles Revolver\, Slay & Stinson play Hot Rize. Artist-in-Residence: Lindsay Lou. \nCaveFest Kick-Off Party • October 9\, 2026: Arrive early\, set up camp\, and enjoy a cave concert featuring Lindsay Lou and Slap Dragon. A CaveFest Kick-Off Party + Friday Camping Entry ticket is required to camp on Friday and attend the concert. \nBeyond the music\, the weekend is packed with activities for all ages\, including cave tours\, an open underground jam session\, food trucks\, local craft vendors\, workshops\, kids’ activities\, surprise performances\, and more. On-site camping and glamping packages are available\, and early arrivals can kick things off with a separately ticketed CaveFest Kick-Off Party on Friday\, October 9. \nFor the adventurous\, guided caving experiences are available throughout the weekend\, ranging from a walking tour through Big Room Cave suitable for all skill levels\, to more immersive underground adventures with all gear provided.
URL:https://wdvx.com/event/cavefest-10-10-thru-10-11/
LOCATION:The Caverns\, 555 Charlie Roberts Road\, Pelham\, 37366\, United States
CATEGORIES:Featured Events
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261014T190000
DTEND;TZID=America/New_York:20261014T210000
DTSTAMP:20260502T051207
CREATED:20260422T213358Z
LAST-MODIFIED:20260422T213429Z
UID:10082452-1792004400-1792011600@wdvx.com
SUMMARY:WDVX Summer Nights - 10/14 - Chuck Mead & His Grassy Knoll Boys / The Royal Hounds
DESCRIPTION:WDVX Summer Nights\nWednesday\, October 14\, 2026 | Doors 6:00 PM | Show 7:00 PM\nYee-Haw Brewing\, Knoxville\, TN\nFREE | All Ages \nWDVX is proud to present another night of free live music on the big stage at Yee-Haw Brewing for the 2026 Summer Nights concert series! \nChuck Mead is a Country singer with a rock n roll heart. He’s also a renowned songwriter\, producer\, music director\, musicologist and architect behind the rebirth of Lower Broadway and the Global Neo Traditional Country music movement. \nThis Kansas native\, has been at the forefront of what has come to be known as Americana Music for the better part of 25 years. Perhaps best known for co-founding the famed ‘90s Alternative Country quintet\, BR5-49\, whos 7 albums garnered a CMA Award for Best International Touring Act and three Grammy nominations\, helped build an indelible bridge between authentic American Roots music and millions of fans worldwide. \nSince then he’s toured the globe\, entertained thousands on the high seas\, released 4 solo albums\, made 137 appearances on the Grand Ole Opry\, co-produced critically acclaimed tribute albums to Johnny Cash & Waylon Jennings\, acted as Musical Director/Supervisor/Producer of the Broadway hit musical Million Dollar Quartet AND the companion CMT television show Sun Records. \nWith a deep connection to Memphis and a burning desire to keep building musical bridges\, Chuck packed up the band and took time out of his crazy schedule last summer to record his fourth solo album with Matt Ross-Spang (Margo Price/John Prine/Jason Isbell/Al Green) at legendary Sam Phillips Recording Studios\, the result of which\, ‘Close To Home’\, was released June 21\, 2019 on Plowboy Records. \nSince 2019 Chuck has also hosted a radio show on 650AM WSM Radio in Nashville called “Face the Music with Chuck Mead.” \n  \nLikely one of the most original bands in Nashville\, The Royal Hounds is one of the city’s wildest bands with one of the best guitarists in Nashville. In a world where 2+2 equals 4\, the combination of Scott Hinds and Matheus Canteri easily add to six! Throw in one of Nashville’s most versitile drummers\, Nathan Place\, and you have Music City’s most powerful rock and roll trio. With their wild showmanship\, stage tricks\, quirky original songs\, and stellar musicianship\, it all adds up to the most unique live show around. The Royal Hounds latest release\, A Whole Lot of Nothin’ is seeing plenty of success\, even charting on the Americana radio charts. Lead singer Scott Hinds spent three years in Vegas in the Tony Award Winning show Million Dollar Quartet\, but he is now back home in Tennessee\, taking the Royal Hounds across America and across the globe. You can currently see them every Tuesday afternoon at the world’s most famous honky tonk\, Robert’s Western World\, in Nashville\, TN. \n  \nThanks to our sponsors: Yee-Haw Brewing\, ORNL Federal Credit Union\, and Garza Law. \n 
URL:https://wdvx.com/event/wdvx-summer-nights-10-14-chuck-mead-his-grassy-knoll-boys-the-royal-hounds/
LOCATION:Yee Haw Brewing Co\, 745 N Broadway\, Knoxville\, TN\, 37917\, United States
CATEGORIES:Featured Events,Free Live Show,WDVX Featured Events,WDVX Summer Nights
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ORGANIZER;CN="WDVX":MAILTO:info@wdvx.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261024T200000
DTEND;TZID=America/New_York:20261024T200000
DTSTAMP:20260502T051207
CREATED:20260423T172302Z
LAST-MODIFIED:20260423T172339Z
UID:10082454-1792872000-1792872000@wdvx.com
SUMMARY:Nick Shoulders: Apocalypse\, Never! Tour — Live at the Bijou — 10/24
DESCRIPTION:Get Tickets Here! \nRefugia Blues\, the fifth album from Nick Shoulders\, is a record of big ideas and small\, intimate moments. \nThese nine songs are rooted in the stylings of Southern traditional music. Sparse\, timeless\, and unamplified\, they’re older than the sounds Shoulders saluted on albums like 2023’s All Bad\, with its loud\, whooping anthems for roadhouses and sweaty dancehalls. Here\, Shoulders isn’t shouting over a band. He isn’t bringing a crowd to its feet with dance-ready tempos. Rather\, he’s exploring another side of his craft by stepping up to a ribbon microphone as a solo performer\, delivering each song with acoustic instruments and a voice that’s equal parts country croon\, Appalachian yodel\, and high-lonesome field holler. As he explains it\, Refugia Blues isn’t just a call to action; it’s a call to rest\, too. \n“This is my Nebraska\,” he says\, nodding to Bruce Springsteen’s lo-fi acoustic record from 1982. “Some people listen to Bruce for the E Street Band and the big radio hits\, but I like the intimacy and rawness of Nebraska instead. I’d like to think of Refugia Blues as a little window into the heart\, as opposed to the drumbeat of a revolution.” \nEven so\, Refugia Blues resolutely pushes for change. Shoulders’ interpretation of American roots music has always been more progressive and punky than the trucks-and-beers conservatism that passes for modern-day country\, and he isn’t checking his activism at the door anytime soon. Refugia Blues does dive into personal territory\, from “Bored Fightin'” (a self-effacing look at Shoulders’ reputation as a left-of-center radical) to the heart-on-sleeve love song “Tatum Spring\,” but it balances the micro with the macro\, too. Topics like climate collapse\, radical anthropology\, generative disruption\, and southern identity run throughout the record\, adding weight to Shoulders’ melodies\, balancing his witty humor with topical weight. The purpose\, he says\, is to utilize his music as “a Trojan Horse that can be accepted by people who don’t hear anything to challenge their sense of comfort and superiority. That’s always been the goal — to say what needs to be said\, but to intersperse it with joy\, humor\, and melody.” \nIt’s a balance that Shoulders has struck in the past\, but never so nakedly alone as he does on the opening track\, “Apocalypse Never.” He wrote the a cappella ballad in the front seat of his band’s shuttle bus\, taking a hard look at each passing town\, noting all the “individualized apocalypses” — houseless encampments\, impoverished communities\, barren cornfields — that unfolded on the other side of the windshield. “Our world has been through countless apocalypses\,” he says. “The refusal to give in to the direness of our circumstances\, while still acknowledging it\, is key to surviving this moment in our history.” \nFor Shoulders\, singing isn’t just a passion; it’s practically a birthright. Born to a musical family with deep roots in Arkansas\, Appalachia\, and Louisiana\, he grew up listening to old-world folk music\, black gospel\, and other sounds that existed long before genres were even invented. “My vocal style is rooted as much in growing up in mountainous Arkansas and having to shout across vast distances to greet my neighbors as it is in my family’s very old way of singing\,” he says. “The way I sing is older than capitalism. Being part of this tradition isn’t meant to be regressive; it’s meant to be liberating. There were time before cash registers and factories\, where people sang like this when they sowed their corn\, and I’m trying to embody that.” \nRefugia Blues was recorded in a home studio outside of Fayetteville\, Arkansas. Tracked to analog tape in two inspired days and laced with light touches of guitar\, banjo\, and fiddle\, the album explores the slower\, softer textures of Shoulders’ music without pulling any punches. On his bare-boned cover of Randy Travis’ “Diggin’ Up Bones\,” he slows down the uptempo classic to a warbling waltz. On “Deux Hurry\,” he taps into his inner Roger Miller\, using wordplay to make light of the darkness that lives within all of us. On “Hill Folk\,” he nods sympathetically to the southerners who’ve witnessed their cultural inheritance become commodified and commercialized over the past half-century. And on the brave\, bold “Dixie Be Damned\,” he sings about “manifest destitution” and the sickness of contemporary American consciousness\, packaging everything into a three-and-a-half minute country gem that’s as tuneful as it is topical. \nBy bridging the gap between past and present\, Shoulders speaks pointedly and poetically about today’s problems\, even as he nods to styles that existed long before the 21st century. “When you listen to the origins of country music in the ’20s and ’30s\, you’re hearing the voice of southern rural dissent against coal companies\, repression\, and depression\,” he says. “The old ballad singers of the Ozarks were conduits for current events\, documenting not only their own lives\, but also dispossession and economic strife on a much bigger scale. Being part of that great stream of rural protest music is something I’m trying to tap into. I want to say things that feel timeless\, deep\, and rooted\, but also touch on topics like endless war and a government collapsing into dictatorship. I want to be part of that tradition of dissent.” \nAt once academic and accessible\, Refugia Blues isn’t just a deep dive into southernness\, but also into Shoulders himself. Released during an era of big-budget country-pop smashes\, it stands tall as something else entirely: a raw\, resolute version of American country music\, punctuated with humor and heavy insights\, stacked high with songs that go down easy but linger in the minds of those willing to invest the time.
URL:https://wdvx.com/event/nick-shoulders-apocalypse-never-tour-live-at-the-bijou-10-24/
LOCATION:Bijou Theatre\, 803 South Gay Street\, Knoxville\, TN\, 37902\, United States
CATEGORIES:Featured Events,WDVX Supported Events
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DTSTART;TZID=America/New_York:20261102T193000
DTEND;TZID=America/New_York:20261102T193000
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SUMMARY:Bruce Cockburn w/ Livingston Taylor — Live at the Bijou — 11/2
DESCRIPTION:Get Tickets Here! \nABOUT LIVINGSTON TAYLOR: \nLivingston Taylor’s career as a professional musician spans more than five decades\, encompassing performance\, songwriting\, recording\, and teaching. Often described as equal parts Mark Twain\, college professor\, and musical icon\, Livingston maintains an active touring schedule of over 100 shows a year\, delighting audiences with his wit\, warmth\, and an expansive repertoire drawn from more than 25 albums\, along with beloved classics. \nAs a songwriter\, Livingston has penned Top-40 hits recorded by his brother James Taylor\, and over the years has shared the stage with artists such as Joni Mitchell\, Linda Ronstadt\, Fleetwood Mac\, and Jimmy Buffett. Equally at home across genres—folk\, pop\, classical\, gospel\, and jazz—his performances range from upbeat storytelling and intimate ballads to full orchestral concerts\, all delivered with his trademark ease and connection. \nFor over three decades\, alongside his performing career\, Livingston served as a full professor at Berklee College of Music\, where he created and taught the acclaimed course Stage Performance. His former students include Charlie Puth\, John Mayer\, Susan Tedeschi\, Molly Tuttle\, Liz Longley\, and Gavin DeGraw. Today\, Livingston takes this course “on the road\,” teaching at colleges and institutions nationwide\, including the Frost School of Music at the University of Miami\, NASA’s Goddard Space Center\, and Tulane Law School. His book\, Stage Performance\, drawn from the course and more than 50 years (5\,000+ hours) of real-world stage experience\, has become a go-to resource for performers and presenters seeking to elevate their craft from good to truly professional. \nAn airplane-flying\, motorcycle-riding\, singing storyteller\, Livingston Taylor continues to captivate audiences wherever he performs—whether solo\, with a band\, or in front of an orchestra—bringing heart\, humor\, and humanity to every stage. \nABOUT BRUCE COCKBURN: \nO Sun O Moon \n“Time takes its toll\, but in my soul I’m on a roll\,” Bruce Cockburn sings on his latest studio album\, O Sun O Moon. Smart and catchy\, it’s the kind of memorable line—like “gotta kick at the darkness ’til it bleeds daylight” from his classic song “Lovers in a Dangerous Time”—the world has become used to hearing from Cockburn. \nAn inspired poet and exceptional guitarist\, the award-winning artist has spent his entire career kicking at the darkness with songs that tackle topics from politics and human rights to the environment and spirituality. And he’s not letting up. While other singer-songwriters his age are slowing down\, Cockburn\, on the eve of his 78 th birthday\, has released a dozen new compositions as powerful as any he’s written. You could even say his songwriting is on a roll as well. \nExquisitely recorded in Nashville with his longtime producer\, Colin Linden\, O Sun O Moon exudes a newfound simplicity and clarity\, as Cockburn focuses on more spiritual than topical concerns this time around\, looking back and taking stock. “I think it’s a product of age to a certain extent\,” he explains\, “and seeing the approaching horizon.” Then\, lightening the tone\, he adds with a laugh: “I think these are exactly the kind of songs that an old guy writes.” \nOld or not\, Cockburn exhibits a palpable urgency on the opening “On a Roll\,” playing a driving resonator guitar with all the vigor of his veteran blues heroes. Similarly “To Keep the World We Know\,” one of the album’s few explicitly topical numbers\, bristles with Cockburn’s buzzing dulcimer as he and Inuk music star Susan Aglukark\, with whom he co-wrote the song\, sing about the growing threat of global warming. \nStill\, most of the songs strike gentler tones\, from the jazz sway of “Push Come to Shove” and the folky drone of “Into the Now” to the string-laden “Us All” and the hymn-like “Colin Went Down to the Water.” The latter\, one of several songs Cockburn wrote while on a month-long holiday with family on the Hawaiian island of Maui\, describes the drowning of a friend. “It’s not about Colin Linden\,” Cockburn is quick to point out\, “but someone I knew from San Francisco who’d \nmoved to Maui. It was tragic and quite surreal because I got a voicemail message from him when I was in Maui\, saying ‘Welcome to paradise\,’ and then found out afterward that he’d died.” \nSpeaking of surreal\, another song written while in Maui\, the whimsical “King of the Bolero\,” is unlike anything else on the album. Over a woozy clarinet and drunken\, New Orleans-style horns\, Cockburn paints a cartoon portrait of an oversized barroom musician “with a double chin all the way round his neck and a pot belly in the back.” Is it a dream or a figment of his imagination? In a gravelly voice\, Cockburn leaves us guessing as he sings “it’s moon high noon—I’m not in my Bed.” \n“The people I was with in Maui were quite perplexed when they heard that song\,” muses Cockburn. “After hearing the other things I’d written there\, they wondered ‘where did that come from?’ It really came from out of the blue. I remembered when I was in high school one of my friends made a crack about an old blues singer who used to come through who he said had a double chin in the back. It was a funny thing to hear at the time and it stayed with me. I didn’t want to make it specifically about a black blues guy\, so I mention Minnesota Fats and Fatty Arbuckle as well as Fats Domino and Fats Waller.” \nAs with so many Cockburn albums\, the musicianship on O Sun O Moon is superb. Along with usual suspects Linden on guitar\, Janice Powers on keyboards and Gary Craig on drums\, the album features bassist Viktor Krauss\, drummer Chris Brown\, accordionist Jeff Taylor\, violinist Jenny Scheinman and multi-instrumentalist Jim Hoke. And Cockburn’s guest vocalists include Shawn Colvin\, Buddy Miller as well as mellifluous singers Allison Russell\, Sarah Jarosz and Ann and Regina McCrary\, daughters of gospel great Rev. Samuel McCrary\, one of the founders of the Fairfield Four. The McCrary sisters shine brightest on the title track\, whose full name is “O Sun By Day O Moon By Night.” They sing the euphoric chorus of the song which relates\, during spoken verses\, a dream Cockburn had in which he makes the journey to heaven. “In the dream\, which was really powerful\,” says Cockburn\, “I see myself silhouetted on a ridge with this jar of blood pouring it on the soil. It wasn’t scary or disturbing at all.” Cockburn adds that he wrote the line “and if that sun and moon don’t shine” in the spirit of songs from the folk ballad “Mockingbird” to the blues number “Bo Diddley.” \nThe album’s jazzy closer\, “When You Arrive\,” finds Cockburn confessing to feeling his age when he sings “You’re limping like a three-legged canine\, backbone creaking like a cheap shoe.” But it’s clearly a song of acceptance\, about eventually slipping one’s mortal coil\, as he’s joined on the chorus by all of his guest vocalists\, singing “bells will ring when you arrive.” \nO Sun O Moon includes just one song without vocals\, “Haiku\,” a four-minute showcase of Cockburn’s fleet-fingered guitar work\, where his previous studio recording\, 2019’s Crowing Ignites\, was a collection of all instrumental numbers. In between those albums\, Cockburn\, the Order of Canada recipient\, 13-time Juno Award winner and Canadian Music Hall of Fame inductee released a 50th anniversary box set\, greatest hits package and rarities collection. \nNever one to rest on his laurels—even when\, as he notes\, “time takes its toll\,” Cockburn keeps finding and conquering new challenges\, never repeating himself in the process. “I just don’t want to ever keep doing the same thing\,” he says. “I’m grateful that I can keep on doing anything at this point\,” he adds. “My body doesn’t hold up and perform the way it once did.” \nThat may be so. But the legendary musician has just made his 38th studio album. And it may stand as one of his best of his long and storied career.
URL:https://wdvx.com/event/bruce-cockburn-w-livingston-taylor-live-at-the-bijou-11-2/
LOCATION:Bijou Theatre\, 803 South Gay Street\, Knoxville\, TN\, 37902\, United States
CATEGORIES:Featured Events,WDVX Supported Events
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SUMMARY:Foy Vance - The Wake World Tour — Live at the Bijou — 4/10
DESCRIPTION:Get Tickets Here! \nThe seventh album from Foy Vance\, The Wake marks the completion of a decades-long journey defined by tireless soul-searching and life-altering revelation. While playing a gig on the Spanish island of Lanzarote in January 1999\, the Northern Ireland-born singer/songwriter experienced a moment of unprecedented transcendence onstage\, then learned the next morning that his father had suffered a fatal heart attack that very night. Overcome by grief and a galvanizing clarity\, Vance immediately resolved to create seven albums informed by the loss of his father—a traveling preacher who moved their family to the American South when Vance was a baby\, and set him on his life’s path by teaching him to play guitar early in his childhood. At turns devastating and ecstatic and wildly illuminating\, The Wake reveals an artist highly attuned to the task of preserving the human spirit in an often-unforgiving world. \nProduced by Ethan Johns (the Brit Award-winning producer known for his work with Paul McCartney\, Ray LaMontagne\, and more)\, The Wake brings Vance’s gritty vocal work to a potent convergence of folk and soul and Southern blues\, instilling every moment with an unbridled vitality. In his intimate exploration of the human condition\, the Scotland-based artist muses on matters both intensely personal (e.g.\, fatherhood\, heartbreak) and wholly existential (the slippery essence of time\, the looming crisis of AI’s unchecked ascent). The final volume in a run of albums that began with his 2007 debut Hope—and also includes standouts like 2016’s The Wild Swan (executive-produced by Elton John)\, 2019’s From Muscle Shoals and To Memphis (recorded at the historic FAME Studios and Sam Phillips Recordings Studios\, respectively)\, and 2021’s Signs of Life (partly made at Vance’s home in the Scottish Highlands)—the result is the purest distillation yet of his truly singular artistry\, imparting a defiant joy into songs of longing and loss and hard-won acceptance.
URL:https://wdvx.com/event/foy-vance-the-wake-world-tour-live-at-the-bijou-4-10/
LOCATION:Bijou Theatre\, 803 South Gay Street\, Knoxville\, TN\, 37902\, United States
CATEGORIES:Featured Events,WDVX Supported Events
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