BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//East Tennessee's Own WDVX - ECPv6.15.3//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-WR-CALNAME:East Tennessee's Own WDVX
X-ORIGINAL-URL:https://wdvx.com
X-WR-CALDESC:Events for East Tennessee's Own WDVX
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:America/New_York
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20260308T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20261101T060000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20270314T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20271107T060000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260812T190000
DTEND;TZID=America/New_York:20260812T210000
DTSTAMP:20260429T001616
CREATED:20260422T160432Z
LAST-MODIFIED:20260427T181555Z
UID:10082449-1786561200-1786568400@wdvx.com
SUMMARY:WDVX Summer Nights - 8/12 - Jeanine Fuller & The True Funk Souldiers / Blue Mother Tupelo
DESCRIPTION:WDVX Summer Nights\nWednesday\, August 12\, 2026 | Doors 6:00 PM | Show 7:00 PM\nYee-Haw Brewing\, Knoxville\, TN\nFREE | All Ages \nWDVX is proud to present another night of free live music on the big stage at Yee-Haw Brewing for the 2026 Summer Nights concert series! \nJeanine’s rich contralto tone\, broad vocal range\, eclectic mixed styles of soul\, blues\, jazz\, gospel\, rock\, some classical\, along with her various musical influences\, ranging from Etta James\, Dianne Reeves\, Chaka Khan to Stevie Wonder\, Michael Jackson & Prince\, she is sure to captivate and convey soulful engaging\, inspiring performances. \nHer vast versatility goes from leading and performing  with her dynamic\, Soul/Funk based Tribute Band\, Jeanine Fuller and The True Funk SOULdiers\, to performing regularly for her loyal\, locally based fans either as solo name sake band\, or in more intImate acoustic style jazz/blues/soul duo and trio settings\, throughout. \nJeanine’s versatility\, powerful self affirming lyrics and catchy hooks are embodied in her recently debuted EP album\, entitled\, Endurance\, will inspire and enlighten both young and older audiences alike.  She is grateful that her music has gained attention both in the US and abroad. \nIn 2025 Jeanine earned International awards as Best Vocalist -multi genre and for her single\, “How Long”.  She is also a 5 time U.S. Independent award nominee\, including as Vocalist of the Year (R&B/Soul & Adult Contemporary)\, as well as Jazz/Blues Album/EP of the Year! \nJeanine is also the 2025 Regional International Blues Challenge winner\, sending her to the Finals in Memphis in January 2026. \n  \nFrom the bluffs of Memphis to the mountains of east Tennessee\, through the Mississippi Delta & 21 years in Nashville\, Blue Mother Tupelo oozes a deep kind of blue southern soul & rootsy country rock sound that’s been described as truly Americana. The married songwriting & recording-artist duo of Ricky & Micol Davis known as Blue Mother Tupelo have been recognized for their natural way of playing off of each other’s voices & their live performances are soulfully raucous and tender. With 7 albums to their credit\, BMT songs & albums have charted #5 in Americana\, #2 Euro-Americana\, Top 40 U.S. Country. Blue Mother Tupelo was chosen as Music Artist of the Year 2022 by The Southland Music Line and has been honored by Broadcast Music Incorporated (BMI) among ten featured songwriters to perform on “The New Sounds Of Nashville” concert. \nThanks to our sponsors: Yee-Haw Brewing\, ORNL Federal Credit Union\, and Garza Law. \n 
URL:https://wdvx.com/event/wdvx-summer-nights-8-12-jeanine-fuller-the-true-funk-souldiers-blue-mother-tupelo/
LOCATION:Yee Haw Brewing Co\, 745 N Broadway\, Knoxville\, TN\, 37917\, United States
CATEGORIES:Featured Events,Free Live Show,WDVX Featured Events,WDVX Summer Nights
ATTACH;FMTTYPE=image/png:https://wdvx.com/site/wp-content/uploads/2026/04/JEANINE_BLUE-MOTHER_WEBSITE.png
ORGANIZER;CN="WDVX":MAILTO:info@wdvx.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260823T190000
DTEND;TZID=America/New_York:20260823T190000
DTSTAMP:20260429T001616
CREATED:20260202T171130Z
LAST-MODIFIED:20260202T171759Z
UID:10082399-1787511600-1787511600@wdvx.com
SUMMARY:Tommy Emmanuel - Live at the Tennessee Theatre - 8/23
DESCRIPTION:Get Tickets Here! \nHailed as “one of the best acoustic guitarists in the world” by NPR’s World Cafe\, Tommy Emmanuel got his start at the age of six\, when he first began touring his native Australia with his family’s band. As a teenager\, he earned a reputation as a highly sought after sideman and session player\, and by his early twenties\, Emmanuel was playing on chart-topping hits and performing with acts like Air Supply and Men at Work. Inspired in part by his hero\, Chet Atkins (who would later become a friend\, mentor\, and collaborator)\, Emmanuel stepped out on his own as a solo artist in 1979\, releasing the first in a string of acclaimed instrumental albums that would make him an unlikely celebrity in his home country and beyond.
URL:https://wdvx.com/event/tommy-emmanuel-live-at-the-tennessee-theatre-8-23/
LOCATION:Tennessee Theatre\, 604 S Gay St\, Knoxville\, 37902\, United States
CATEGORIES:Featured Events,WDVX Featured Events,WDVX Supported Events
ATTACH;FMTTYPE=image/png:https://wdvx.com/site/wp-content/uploads/2026/02/Static_SocialPhoto-InstagramPortrait_1080x1350_TommeyEmmanuel_2026_Regional_TennesseeTheatre_0823-Benny-Smith-1.png
ORGANIZER;CN="WDVX":MAILTO:info@wdvx.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260904T080000
DTEND;TZID=America/New_York:20260906T170000
DTSTAMP:20260429T001616
CREATED:20260424T165250Z
LAST-MODIFIED:20260424T165303Z
UID:10082458-1788508800-1788714000@wdvx.com
SUMMARY:Earl Scruggs Music Festival
DESCRIPTION:Get Tickets Here! \nAt the foot of the Blue Ridge Mountains\, just miles from Earl Scruggs’ Cleveland County birthplace\, the Earl Scruggs Music Festival is where the music comes home. Set across the rolling\, walkable grounds of Tryon International Equestrian Center\, this multi-day celebration honors the three-finger banjo innovator who changed American music forever—while inviting a new generation to pick\, play\, and push the sound forward. Presented in partnership with the Earl Scruggs Center and WNCW-FM\, the festival blends bluegrass\, Americana\, and roots into something both reverent and restless—just like Earl himself. \nIn just a few short years\, Scruggs Fest has become one of the most talked-about gatherings in roots music—named 2025 Event of the Year by the International Bluegrass Music Association and praised by The Bluegrass Situation for “raising the bar for bluegrass festivals.” From once-in-a-lifetime collaborations to headline sets by icons and boundary-breakers alike\, the stages echo with the far-reaching influence of a man whose style reshaped the banjo—and the soundtrack of America. As Rolling Stone declared\, “Banjo reigns supreme\,” and by weekend’s end—when voices rise together in “Will the Circle Be Unbroken”—you can feel it: this is more than a festival. It’s a reunion. A revival. A reminder. \nBut beyond the spotlight moments and star-studded sets\, what truly defines the Earl Scruggs Music Festival is its spirit. Campers swapping tunes at sunrise. Junior Appalachian Musician Students finding their footing onstage. Families dancing barefoot. Friends returning year after year\, saying\, “We wouldn’t miss this for anything.” It’s a place rooted in tradition but alive with possibility—where legends mingle with newcomers\, where workshops and jam sessions spark inspiration\, and where the banner’s promise rings true: The Music Is Coming Home. Whether you’re a lifelong picker or simply chasing that sound in your bones\, there’s a spot for you here. Welcome home.
URL:https://wdvx.com/event/earl-scruggs-music-festival/
LOCATION:Tryon International Equestrian Center\, 25 International Blvd\, Mill Spring\, NC\, 28756\, United States
CATEGORIES:Featured Events
ATTACH;FMTTYPE=image/png:https://wdvx.com/site/wp-content/uploads/2026/04/Earl-Scruggs_website.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260909T190000
DTEND;TZID=America/New_York:20260909T210000
DTSTAMP:20260429T001616
CREATED:20260422T201313Z
LAST-MODIFIED:20260422T202641Z
UID:10082451-1788980400-1788987600@wdvx.com
SUMMARY:WDVX Summer Nights - 9/9 - The Jason Carter Band / The Asheville Mountain Boys
DESCRIPTION:WDVX Summer Nights\nWednesday\, September 9\, 2026 | Doors 6:00 PM | Show 7:00 PM\nYee-Haw Brewing\, Knoxville\, TN\nFREE | All Ages \nWDVX is proud to present another night of free live music on the big stage at Yee-Haw Brewing for the 2026 Summer Nights concert series! \n  \nIn Lloyd\, Kentucky\, on U.S. 23\, there’s a sign on the Country Music Highway dedicated to renowned fiddler Jason Carter. It was placed there because of his other accomplishments—the Grammy awards\, the worldwide tours\, and the many other accolades he’s earned through his music. But for Carter\, joining the legendary names honored on that stretch of highway just might mean the most. “There’s a certain sound that’s up there that you just don’t hear anywhere else\,” he says. “I think that played a big part in how I sound today.” \nTrue to those Kentucky roots\, Carter continues to pour all he has back into bluegrass. For thirty years\, he has been the fiddle player for the Del McCoury Band—the most awarded group in bluegrass history. He’s won three Grammy awards\, including 2018’s “Best Bluegrass Album” with the Travelin’ McCourys\, of which he is a founding member. And he’s taken home five IBMAs for “Fiddle Player of the Year\,” a staggering number that isn’t quite so crazy once you realize just how many bluegrass greats have turned to Carter for collaboration. \nAs a fiddler\, Carter has been featured on albums by Steve Earle\, Ricky Skaggs\, Dierks Bentley\, Charlie Daniels\, Vince Gill\, Asleep at the Wheel\, and many more\, all in addition to his tireless touring and recording with Del as well as the Travelin’ McCourys. On Carter’s forthcoming solo album\, Lowdown Hoedown\, listeners may recognize instrumental contributions from such legends as Jerry Douglas or Sam Bush alongside vocals from young trailblazers like Sarah Jarosz or Billy Strings. This time\, though\, Carter is singing lead. \n  \nBy their name\, you know where they are from\, and by their sound\, you know what they are about. The Asheville Mountain Boys are on a mission to capture not just the style but the spirit of traditional bluegrass. Asheville\, NC has long been known for great music and its roots in bluegrass go back to the founding of the genre (Bill Monroe’s first broadcast performance as the Bluegrass Boys was at Asheville radio station WWNC in 1938) A group that firmly stakes its claim to the tradition of the music from the area\, The Asheville Mountain Boys spring onto the scene with a thought\, ”What happened to bluegrass?” It’s not a disparaging one that condemns current styles in the genre but rather asks\, “Why do we love this music in the first place” and answers with an approach that is true to the originators of the genre in the sense of both style and philosophy. Bluegrass is raw emotion\, excitement\, drive\, and authenticity. It is not sanitized or compromised but a reflection of the lives of those who play it. It’s storytelling that follows a throughline of tradition. \n  \nThanks to our sponsors: Yee-Haw Brewing\, ORNL Federal Credit Union\, and Garza Law. \n 
URL:https://wdvx.com/event/wdvx-summer-nights-9-9-the-jason-carter-band-the-asheville-mountain-boys/
LOCATION:Yee Haw Brewing Co\, 745 N Broadway\, Knoxville\, TN\, 37917\, United States
CATEGORIES:Featured Events,Free Live Show,WDVX Featured Events,WDVX Summer Nights
ATTACH;FMTTYPE=image/png:https://wdvx.com/site/wp-content/uploads/2026/04/JASON_ASHEVILLE-BOYS_WEBSITE.png
ORGANIZER;CN="WDVX":MAILTO:info@wdvx.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260919T170000
DTEND;TZID=America/New_York:20260919T210000
DTSTAMP:20260429T001616
CREATED:20260422T195156Z
LAST-MODIFIED:20260422T195304Z
UID:10082450-1789837200-1789851600@wdvx.com
SUMMARY:Summer Sessions - 9/19 - Shawn Camp / Verlon Thompson / Madelyn Tallent
DESCRIPTION:The event is free\, and takes place at the Museum of Appalachia in Clinton\, TN! Have some fun with The ORNL Summer Sessions! \n  \nShawn Camp began playing guitar as a small child\, growing up outside Perryville\, Arkansas. Mandolin and fiddle followed\, all before he could drive. He remembers dreaming of melodies\, waking up\, and being able to play them. “I just always loved music. It’s been my everything\, really\,” Camp says. “My dad worked out of state\, so we moved around a lot. Whenever we’d go somewhere\, I’d carry a stack of records and a little record player with my guitar. Music was my only constant––that\, and my mom and dad.” \nA prodigy who never knew how to be anything but\, Camp moved to Nashville at 20\, and found early gigs playing with the Osborne Brothers\, Jerry Reed\, Alan Jackson\, Shelby Lynne\, and Trisha Yearwood. Then\, he really started writing––and singing with sly grace\, smooth but earthy. Camp released his first solo album\, Shawn Camp\, on the Reprise (Warner Bros.) label\, but found his biggest success as a songwriter\, penning hits for Willie Nelson\, Garth Brooks\, Brooks & Dunn\, Josh Turner\, Blake Shelton\, George Strait\, and many others. He became a trusted collaborator of John Prine\, Loretta Lynn\, and of course\, Clark\, with whom he wrote constantly\, and toured occasionally. When Clark won a Grammy in 2014 for his final album\, My Favorite Picture of You\, Camp took home a statue as one of the record’s producers. In 2015\, Camp took home another Grammy\, this time\, as lead vocalist for bluegrass supergroup the Earls of Leicester. \nSongwriters seem to flourish on the fertile Oklahoma plains. Woody Guthrie\, Roger Miller\, Leon Russell\, J.J. Cale and Jimmy Webb. Add Verlon Thompson to that list. \nThirty years as a professional songwriter and traveling troubadour serve as credentials. As a solo performer\, and as the trusted sidekick of Texas Americana songwriting icon Guy Clark\, Verlon has viewed the world from stages everywhere from Barcelona to Binger (his hometown in Oklahoma). \nAlong the way Verlon Thompson compositions have been recorded by Jimmy Buffett and Alan Jackson\, Dierks Bentley\, Anne Murray\, The Nitty Gritty Dirt Band\, Kenny Rogers\, Randy Travis\, Del McCoury\, Sam Bush\, Trisha Yearwood and many more. \nVerlon has co-produced Guy Clark’s Grammy nominated cd “Cold Dog Soup” as well as “The Dark”\, “Workbench Songs” and “Somedays the Song Writes You”. \nEqually important in his songwriting and live performances\, Verlon’s guitar work cannot go unnoticed. His guitar can be heard on recordings by Restless Heart\, Pam Tillis\, and many more\, including\, and especially Guy Clark. \n  \nMadelyn Tallent is a singer/songwriter particularly loving the folk/Americana side of country and some southern rock. \n  \nSupport for WDVX comes from ORNL Federal Credit Union!
URL:https://wdvx.com/event/summer-sessions-9-19-shawn-camp-verlon-thompson-madelyn-tallent/
LOCATION:Museum of Appalachia\, 2819 Andersonville Hwy\, Clinton\, TN\, 37716\, United States
CATEGORIES:Featured Events,WDVX Featured Events
ATTACH;FMTTYPE=image/jpeg:https://wdvx.com/site/wp-content/uploads/2026/04/SS_SHAWN_VERLON_MADELYN.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261009T080000
DTEND;TZID=America/New_York:20261011T170000
DTSTAMP:20260429T001616
CREATED:20260402T181159Z
LAST-MODIFIED:20260402T181211Z
UID:10082440-1791532800-1791738000@wdvx.com
SUMMARY:CaveFest — 10/10 thru 10/11
DESCRIPTION:Get Tickets Here! \nNow in its fifth year\, CaveFest at The Caverns is one of the most unique festival experiences in the region\, combining live music with the natural wonders of one of Tennessee’s most extraordinary underground venues. Music happens both above and below ground\, making for an atmosphere you simply cannot find anywhere else. \nCaveFest 2026 Full Line-Up: Gillian Welch & David Rawlings\, Peter Rowan & Sam Grisman Project\, Rising Appalachia\, Keller & The Keels\, John Prine 80th Birthday Celebration featuring The Tree of Forgiveness Band with special guests\, Bristol Sessions 100th Anniversary Celebration (feat. Carlene Carter\, Elizabeth Cook\, Dom Flemons\, Jim Lauderdale\, Ashley Monroe)\, Lindsay Lou\, Dom Flemons & The Traveling Wildfires\, Jim Lauderdale & The Game Changers\, Fruition\, Scott Miller & The Commonwealth\, Airshow (2 Late Nights)\, Uncle B’s Damned Ole Opry\, Slay & Stinson\, Hudost\, Modern Biology: Music Made From Plants & Mushrooms\, Three Tall Pines\, The Flea Market Hustlers\, plus special album sets and tributes: Peter Rowan & Sam Grisman Project play Old & In the Way\, Lindsay Lou plays Sublime’s Sublime\, Airshow play Billy Breathes and a Bob Weir tribute\, Uncle B’s Damned Ole Opry play The Beatles Revolver\, Slay & Stinson play Hot Rize. Artist-in-Residence: Lindsay Lou. \nCaveFest Kick-Off Party • October 9\, 2026: Arrive early\, set up camp\, and enjoy a cave concert featuring Lindsay Lou and Slap Dragon. A CaveFest Kick-Off Party + Friday Camping Entry ticket is required to camp on Friday and attend the concert. \nBeyond the music\, the weekend is packed with activities for all ages\, including cave tours\, an open underground jam session\, food trucks\, local craft vendors\, workshops\, kids’ activities\, surprise performances\, and more. On-site camping and glamping packages are available\, and early arrivals can kick things off with a separately ticketed CaveFest Kick-Off Party on Friday\, October 9. \nFor the adventurous\, guided caving experiences are available throughout the weekend\, ranging from a walking tour through Big Room Cave suitable for all skill levels\, to more immersive underground adventures with all gear provided.
URL:https://wdvx.com/event/cavefest-10-10-thru-10-11/
LOCATION:The Caverns\, 555 Charlie Roberts Road\, Pelham\, 37366\, United States
CATEGORIES:Featured Events
ATTACH;FMTTYPE=image/png:https://wdvx.com/site/wp-content/uploads/2026/04/cavefest-website.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261014T190000
DTEND;TZID=America/New_York:20261014T210000
DTSTAMP:20260429T001616
CREATED:20260422T213358Z
LAST-MODIFIED:20260422T213429Z
UID:10082452-1792004400-1792011600@wdvx.com
SUMMARY:WDVX Summer Nights - 10/14 - Chuck Mead & His Grassy Knoll Boys / The Royal Hounds
DESCRIPTION:WDVX Summer Nights\nWednesday\, October 14\, 2026 | Doors 6:00 PM | Show 7:00 PM\nYee-Haw Brewing\, Knoxville\, TN\nFREE | All Ages \nWDVX is proud to present another night of free live music on the big stage at Yee-Haw Brewing for the 2026 Summer Nights concert series! \nChuck Mead is a Country singer with a rock n roll heart. He’s also a renowned songwriter\, producer\, music director\, musicologist and architect behind the rebirth of Lower Broadway and the Global Neo Traditional Country music movement. \nThis Kansas native\, has been at the forefront of what has come to be known as Americana Music for the better part of 25 years. Perhaps best known for co-founding the famed ‘90s Alternative Country quintet\, BR5-49\, whos 7 albums garnered a CMA Award for Best International Touring Act and three Grammy nominations\, helped build an indelible bridge between authentic American Roots music and millions of fans worldwide. \nSince then he’s toured the globe\, entertained thousands on the high seas\, released 4 solo albums\, made 137 appearances on the Grand Ole Opry\, co-produced critically acclaimed tribute albums to Johnny Cash & Waylon Jennings\, acted as Musical Director/Supervisor/Producer of the Broadway hit musical Million Dollar Quartet AND the companion CMT television show Sun Records. \nWith a deep connection to Memphis and a burning desire to keep building musical bridges\, Chuck packed up the band and took time out of his crazy schedule last summer to record his fourth solo album with Matt Ross-Spang (Margo Price/John Prine/Jason Isbell/Al Green) at legendary Sam Phillips Recording Studios\, the result of which\, ‘Close To Home’\, was released June 21\, 2019 on Plowboy Records. \nSince 2019 Chuck has also hosted a radio show on 650AM WSM Radio in Nashville called “Face the Music with Chuck Mead.” \n  \nLikely one of the most original bands in Nashville\, The Royal Hounds is one of the city’s wildest bands with one of the best guitarists in Nashville. In a world where 2+2 equals 4\, the combination of Scott Hinds and Matheus Canteri easily add to six! Throw in one of Nashville’s most versitile drummers\, Nathan Place\, and you have Music City’s most powerful rock and roll trio. With their wild showmanship\, stage tricks\, quirky original songs\, and stellar musicianship\, it all adds up to the most unique live show around. The Royal Hounds latest release\, A Whole Lot of Nothin’ is seeing plenty of success\, even charting on the Americana radio charts. Lead singer Scott Hinds spent three years in Vegas in the Tony Award Winning show Million Dollar Quartet\, but he is now back home in Tennessee\, taking the Royal Hounds across America and across the globe. You can currently see them every Tuesday afternoon at the world’s most famous honky tonk\, Robert’s Western World\, in Nashville\, TN. \n  \nThanks to our sponsors: Yee-Haw Brewing\, ORNL Federal Credit Union\, and Garza Law. \n 
URL:https://wdvx.com/event/wdvx-summer-nights-10-14-chuck-mead-his-grassy-knoll-boys-the-royal-hounds/
LOCATION:Yee Haw Brewing Co\, 745 N Broadway\, Knoxville\, TN\, 37917\, United States
CATEGORIES:Featured Events,Free Live Show,WDVX Featured Events,WDVX Summer Nights
ATTACH;FMTTYPE=image/png:https://wdvx.com/site/wp-content/uploads/2026/04/CHUCK_ROYALHOUNDS_WEBSITE.png
ORGANIZER;CN="WDVX":MAILTO:info@wdvx.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261024T200000
DTEND;TZID=America/New_York:20261024T200000
DTSTAMP:20260429T001616
CREATED:20260423T172302Z
LAST-MODIFIED:20260423T172339Z
UID:10082454-1792872000-1792872000@wdvx.com
SUMMARY:Nick Shoulders: Apocalypse\, Never! Tour — Live at the Bijou — 10/24
DESCRIPTION:Get Tickets Here! \nRefugia Blues\, the fifth album from Nick Shoulders\, is a record of big ideas and small\, intimate moments. \nThese nine songs are rooted in the stylings of Southern traditional music. Sparse\, timeless\, and unamplified\, they’re older than the sounds Shoulders saluted on albums like 2023’s All Bad\, with its loud\, whooping anthems for roadhouses and sweaty dancehalls. Here\, Shoulders isn’t shouting over a band. He isn’t bringing a crowd to its feet with dance-ready tempos. Rather\, he’s exploring another side of his craft by stepping up to a ribbon microphone as a solo performer\, delivering each song with acoustic instruments and a voice that’s equal parts country croon\, Appalachian yodel\, and high-lonesome field holler. As he explains it\, Refugia Blues isn’t just a call to action; it’s a call to rest\, too. \n“This is my Nebraska\,” he says\, nodding to Bruce Springsteen’s lo-fi acoustic record from 1982. “Some people listen to Bruce for the E Street Band and the big radio hits\, but I like the intimacy and rawness of Nebraska instead. I’d like to think of Refugia Blues as a little window into the heart\, as opposed to the drumbeat of a revolution.” \nEven so\, Refugia Blues resolutely pushes for change. Shoulders’ interpretation of American roots music has always been more progressive and punky than the trucks-and-beers conservatism that passes for modern-day country\, and he isn’t checking his activism at the door anytime soon. Refugia Blues does dive into personal territory\, from “Bored Fightin'” (a self-effacing look at Shoulders’ reputation as a left-of-center radical) to the heart-on-sleeve love song “Tatum Spring\,” but it balances the micro with the macro\, too. Topics like climate collapse\, radical anthropology\, generative disruption\, and southern identity run throughout the record\, adding weight to Shoulders’ melodies\, balancing his witty humor with topical weight. The purpose\, he says\, is to utilize his music as “a Trojan Horse that can be accepted by people who don’t hear anything to challenge their sense of comfort and superiority. That’s always been the goal — to say what needs to be said\, but to intersperse it with joy\, humor\, and melody.” \nIt’s a balance that Shoulders has struck in the past\, but never so nakedly alone as he does on the opening track\, “Apocalypse Never.” He wrote the a cappella ballad in the front seat of his band’s shuttle bus\, taking a hard look at each passing town\, noting all the “individualized apocalypses” — houseless encampments\, impoverished communities\, barren cornfields — that unfolded on the other side of the windshield. “Our world has been through countless apocalypses\,” he says. “The refusal to give in to the direness of our circumstances\, while still acknowledging it\, is key to surviving this moment in our history.” \nFor Shoulders\, singing isn’t just a passion; it’s practically a birthright. Born to a musical family with deep roots in Arkansas\, Appalachia\, and Louisiana\, he grew up listening to old-world folk music\, black gospel\, and other sounds that existed long before genres were even invented. “My vocal style is rooted as much in growing up in mountainous Arkansas and having to shout across vast distances to greet my neighbors as it is in my family’s very old way of singing\,” he says. “The way I sing is older than capitalism. Being part of this tradition isn’t meant to be regressive; it’s meant to be liberating. There were time before cash registers and factories\, where people sang like this when they sowed their corn\, and I’m trying to embody that.” \nRefugia Blues was recorded in a home studio outside of Fayetteville\, Arkansas. Tracked to analog tape in two inspired days and laced with light touches of guitar\, banjo\, and fiddle\, the album explores the slower\, softer textures of Shoulders’ music without pulling any punches. On his bare-boned cover of Randy Travis’ “Diggin’ Up Bones\,” he slows down the uptempo classic to a warbling waltz. On “Deux Hurry\,” he taps into his inner Roger Miller\, using wordplay to make light of the darkness that lives within all of us. On “Hill Folk\,” he nods sympathetically to the southerners who’ve witnessed their cultural inheritance become commodified and commercialized over the past half-century. And on the brave\, bold “Dixie Be Damned\,” he sings about “manifest destitution” and the sickness of contemporary American consciousness\, packaging everything into a three-and-a-half minute country gem that’s as tuneful as it is topical. \nBy bridging the gap between past and present\, Shoulders speaks pointedly and poetically about today’s problems\, even as he nods to styles that existed long before the 21st century. “When you listen to the origins of country music in the ’20s and ’30s\, you’re hearing the voice of southern rural dissent against coal companies\, repression\, and depression\,” he says. “The old ballad singers of the Ozarks were conduits for current events\, documenting not only their own lives\, but also dispossession and economic strife on a much bigger scale. Being part of that great stream of rural protest music is something I’m trying to tap into. I want to say things that feel timeless\, deep\, and rooted\, but also touch on topics like endless war and a government collapsing into dictatorship. I want to be part of that tradition of dissent.” \nAt once academic and accessible\, Refugia Blues isn’t just a deep dive into southernness\, but also into Shoulders himself. Released during an era of big-budget country-pop smashes\, it stands tall as something else entirely: a raw\, resolute version of American country music\, punctuated with humor and heavy insights\, stacked high with songs that go down easy but linger in the minds of those willing to invest the time.
URL:https://wdvx.com/event/nick-shoulders-apocalypse-never-tour-live-at-the-bijou-10-24/
LOCATION:Bijou Theatre\, 803 South Gay Street\, Knoxville\, TN\, 37902\, United States
CATEGORIES:Featured Events,WDVX Supported Events
ATTACH;FMTTYPE=image/png:https://wdvx.com/site/wp-content/uploads/2026/04/nick-shoulders_WEBSITE.png
GEO:35.9623478;-83.9170961
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Bijou Theatre 803 South Gay Street Knoxville TN 37902 United States;X-APPLE-RADIUS=500;X-TITLE=803 South Gay Street:geo:-83.9170961,35.9623478
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20261102T193000
DTEND;TZID=America/New_York:20261102T193000
DTSTAMP:20260429T001616
CREATED:20260224T201725Z
LAST-MODIFIED:20260224T201745Z
UID:10082413-1793647800-1793647800@wdvx.com
SUMMARY:Bruce Cockburn w/ Livingston Taylor — Live at the Bijou — 11/2
DESCRIPTION:Get Tickets Here! \nABOUT LIVINGSTON TAYLOR: \nLivingston Taylor’s career as a professional musician spans more than five decades\, encompassing performance\, songwriting\, recording\, and teaching. Often described as equal parts Mark Twain\, college professor\, and musical icon\, Livingston maintains an active touring schedule of over 100 shows a year\, delighting audiences with his wit\, warmth\, and an expansive repertoire drawn from more than 25 albums\, along with beloved classics. \nAs a songwriter\, Livingston has penned Top-40 hits recorded by his brother James Taylor\, and over the years has shared the stage with artists such as Joni Mitchell\, Linda Ronstadt\, Fleetwood Mac\, and Jimmy Buffett. Equally at home across genres—folk\, pop\, classical\, gospel\, and jazz—his performances range from upbeat storytelling and intimate ballads to full orchestral concerts\, all delivered with his trademark ease and connection. \nFor over three decades\, alongside his performing career\, Livingston served as a full professor at Berklee College of Music\, where he created and taught the acclaimed course Stage Performance. His former students include Charlie Puth\, John Mayer\, Susan Tedeschi\, Molly Tuttle\, Liz Longley\, and Gavin DeGraw. Today\, Livingston takes this course “on the road\,” teaching at colleges and institutions nationwide\, including the Frost School of Music at the University of Miami\, NASA’s Goddard Space Center\, and Tulane Law School. His book\, Stage Performance\, drawn from the course and more than 50 years (5\,000+ hours) of real-world stage experience\, has become a go-to resource for performers and presenters seeking to elevate their craft from good to truly professional. \nAn airplane-flying\, motorcycle-riding\, singing storyteller\, Livingston Taylor continues to captivate audiences wherever he performs—whether solo\, with a band\, or in front of an orchestra—bringing heart\, humor\, and humanity to every stage. \nABOUT BRUCE COCKBURN: \nO Sun O Moon \n“Time takes its toll\, but in my soul I’m on a roll\,” Bruce Cockburn sings on his latest studio album\, O Sun O Moon. Smart and catchy\, it’s the kind of memorable line—like “gotta kick at the darkness ’til it bleeds daylight” from his classic song “Lovers in a Dangerous Time”—the world has become used to hearing from Cockburn. \nAn inspired poet and exceptional guitarist\, the award-winning artist has spent his entire career kicking at the darkness with songs that tackle topics from politics and human rights to the environment and spirituality. And he’s not letting up. While other singer-songwriters his age are slowing down\, Cockburn\, on the eve of his 78 th birthday\, has released a dozen new compositions as powerful as any he’s written. You could even say his songwriting is on a roll as well. \nExquisitely recorded in Nashville with his longtime producer\, Colin Linden\, O Sun O Moon exudes a newfound simplicity and clarity\, as Cockburn focuses on more spiritual than topical concerns this time around\, looking back and taking stock. “I think it’s a product of age to a certain extent\,” he explains\, “and seeing the approaching horizon.” Then\, lightening the tone\, he adds with a laugh: “I think these are exactly the kind of songs that an old guy writes.” \nOld or not\, Cockburn exhibits a palpable urgency on the opening “On a Roll\,” playing a driving resonator guitar with all the vigor of his veteran blues heroes. Similarly “To Keep the World We Know\,” one of the album’s few explicitly topical numbers\, bristles with Cockburn’s buzzing dulcimer as he and Inuk music star Susan Aglukark\, with whom he co-wrote the song\, sing about the growing threat of global warming. \nStill\, most of the songs strike gentler tones\, from the jazz sway of “Push Come to Shove” and the folky drone of “Into the Now” to the string-laden “Us All” and the hymn-like “Colin Went Down to the Water.” The latter\, one of several songs Cockburn wrote while on a month-long holiday with family on the Hawaiian island of Maui\, describes the drowning of a friend. “It’s not about Colin Linden\,” Cockburn is quick to point out\, “but someone I knew from San Francisco who’d \nmoved to Maui. It was tragic and quite surreal because I got a voicemail message from him when I was in Maui\, saying ‘Welcome to paradise\,’ and then found out afterward that he’d died.” \nSpeaking of surreal\, another song written while in Maui\, the whimsical “King of the Bolero\,” is unlike anything else on the album. Over a woozy clarinet and drunken\, New Orleans-style horns\, Cockburn paints a cartoon portrait of an oversized barroom musician “with a double chin all the way round his neck and a pot belly in the back.” Is it a dream or a figment of his imagination? In a gravelly voice\, Cockburn leaves us guessing as he sings “it’s moon high noon—I’m not in my Bed.” \n“The people I was with in Maui were quite perplexed when they heard that song\,” muses Cockburn. “After hearing the other things I’d written there\, they wondered ‘where did that come from?’ It really came from out of the blue. I remembered when I was in high school one of my friends made a crack about an old blues singer who used to come through who he said had a double chin in the back. It was a funny thing to hear at the time and it stayed with me. I didn’t want to make it specifically about a black blues guy\, so I mention Minnesota Fats and Fatty Arbuckle as well as Fats Domino and Fats Waller.” \nAs with so many Cockburn albums\, the musicianship on O Sun O Moon is superb. Along with usual suspects Linden on guitar\, Janice Powers on keyboards and Gary Craig on drums\, the album features bassist Viktor Krauss\, drummer Chris Brown\, accordionist Jeff Taylor\, violinist Jenny Scheinman and multi-instrumentalist Jim Hoke. And Cockburn’s guest vocalists include Shawn Colvin\, Buddy Miller as well as mellifluous singers Allison Russell\, Sarah Jarosz and Ann and Regina McCrary\, daughters of gospel great Rev. Samuel McCrary\, one of the founders of the Fairfield Four. The McCrary sisters shine brightest on the title track\, whose full name is “O Sun By Day O Moon By Night.” They sing the euphoric chorus of the song which relates\, during spoken verses\, a dream Cockburn had in which he makes the journey to heaven. “In the dream\, which was really powerful\,” says Cockburn\, “I see myself silhouetted on a ridge with this jar of blood pouring it on the soil. It wasn’t scary or disturbing at all.” Cockburn adds that he wrote the line “and if that sun and moon don’t shine” in the spirit of songs from the folk ballad “Mockingbird” to the blues number “Bo Diddley.” \nThe album’s jazzy closer\, “When You Arrive\,” finds Cockburn confessing to feeling his age when he sings “You’re limping like a three-legged canine\, backbone creaking like a cheap shoe.” But it’s clearly a song of acceptance\, about eventually slipping one’s mortal coil\, as he’s joined on the chorus by all of his guest vocalists\, singing “bells will ring when you arrive.” \nO Sun O Moon includes just one song without vocals\, “Haiku\,” a four-minute showcase of Cockburn’s fleet-fingered guitar work\, where his previous studio recording\, 2019’s Crowing Ignites\, was a collection of all instrumental numbers. In between those albums\, Cockburn\, the Order of Canada recipient\, 13-time Juno Award winner and Canadian Music Hall of Fame inductee released a 50th anniversary box set\, greatest hits package and rarities collection. \nNever one to rest on his laurels—even when\, as he notes\, “time takes its toll\,” Cockburn keeps finding and conquering new challenges\, never repeating himself in the process. “I just don’t want to ever keep doing the same thing\,” he says. “I’m grateful that I can keep on doing anything at this point\,” he adds. “My body doesn’t hold up and perform the way it once did.” \nThat may be so. But the legendary musician has just made his 38th studio album. And it may stand as one of his best of his long and storied career.
URL:https://wdvx.com/event/bruce-cockburn-w-livingston-taylor-live-at-the-bijou-11-2/
LOCATION:Bijou Theatre\, 803 South Gay Street\, Knoxville\, TN\, 37902\, United States
CATEGORIES:Featured Events,WDVX Supported Events
ATTACH;FMTTYPE=image/png:https://wdvx.com/site/wp-content/uploads/2026/02/brucecockburn-1.png
GEO:35.9623478;-83.9170961
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Bijou Theatre 803 South Gay Street Knoxville TN 37902 United States;X-APPLE-RADIUS=500;X-TITLE=803 South Gay Street:geo:-83.9170961,35.9623478
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20270410T190000
DTEND;TZID=America/New_York:20270410T190000
DTSTAMP:20260429T001616
CREATED:20260224T200621Z
LAST-MODIFIED:20260224T200636Z
UID:10082412-1807383600-1807383600@wdvx.com
SUMMARY:Foy Vance - The Wake World Tour — Live at the Bijou — 4/10
DESCRIPTION:Get Tickets Here! \nThe seventh album from Foy Vance\, The Wake marks the completion of a decades-long journey defined by tireless soul-searching and life-altering revelation. While playing a gig on the Spanish island of Lanzarote in January 1999\, the Northern Ireland-born singer/songwriter experienced a moment of unprecedented transcendence onstage\, then learned the next morning that his father had suffered a fatal heart attack that very night. Overcome by grief and a galvanizing clarity\, Vance immediately resolved to create seven albums informed by the loss of his father—a traveling preacher who moved their family to the American South when Vance was a baby\, and set him on his life’s path by teaching him to play guitar early in his childhood. At turns devastating and ecstatic and wildly illuminating\, The Wake reveals an artist highly attuned to the task of preserving the human spirit in an often-unforgiving world. \nProduced by Ethan Johns (the Brit Award-winning producer known for his work with Paul McCartney\, Ray LaMontagne\, and more)\, The Wake brings Vance’s gritty vocal work to a potent convergence of folk and soul and Southern blues\, instilling every moment with an unbridled vitality. In his intimate exploration of the human condition\, the Scotland-based artist muses on matters both intensely personal (e.g.\, fatherhood\, heartbreak) and wholly existential (the slippery essence of time\, the looming crisis of AI’s unchecked ascent). The final volume in a run of albums that began with his 2007 debut Hope—and also includes standouts like 2016’s The Wild Swan (executive-produced by Elton John)\, 2019’s From Muscle Shoals and To Memphis (recorded at the historic FAME Studios and Sam Phillips Recordings Studios\, respectively)\, and 2021’s Signs of Life (partly made at Vance’s home in the Scottish Highlands)—the result is the purest distillation yet of his truly singular artistry\, imparting a defiant joy into songs of longing and loss and hard-won acceptance.
URL:https://wdvx.com/event/foy-vance-the-wake-world-tour-live-at-the-bijou-4-10/
LOCATION:Bijou Theatre\, 803 South Gay Street\, Knoxville\, TN\, 37902\, United States
CATEGORIES:Featured Events,WDVX Supported Events
ATTACH;FMTTYPE=image/png:https://wdvx.com/site/wp-content/uploads/2026/02/foyvance.png
GEO:35.9623478;-83.9170961
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=Bijou Theatre 803 South Gay Street Knoxville TN 37902 United States;X-APPLE-RADIUS=500;X-TITLE=803 South Gay Street:geo:-83.9170961,35.9623478
END:VEVENT
END:VCALENDAR