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SUMMARY:Hayes Carll — Live at the Bijou — 11/5
DESCRIPTION:Get Tickets Here! \nHayes Carll isn’t preaching or teaching. He’s not interested in telling the rest of use what to do or think. But he is charting out a personal guide for his life\, quieting the noise\, and sitting with his real voice – the one that’s candid\, consistent\, and often inconvenient. \nWe’re Only Human is Carll’s tenth album. Like his best lyrics\, it is also an understated masterpiece\, an honest snapshot of one man’s confrontation and delight with humanity’s biggest and most intimate questions. Where do we find forgiveness for ourselves and grace for others? How do we hold on to peace of mind and stay present? What can we—and should we––trust? And how can we moor ourselves to\, well\, ourselves\, in the midst of confusing\, trying times? We’re Only Human offers audiences the chance to listen to Carll as he listens to himself. \n“I’ve lived outside of myself for so long\,” Carll admits. “Distractions\, fear\, anxiety\, insecurity\, and the complexity of being human in this world have so often pulled me away from being present or at peace.” \n“I feel like there’s been a voice riding shotgun all my life\, pushing me to do better\, but I’ve struggled to listen to it\,” Carll says. “The idea behind this record was to do the personal work I needed to do\, then codify those lessons in song to serve as sort of breadcrumbs to get me back on the trail if\, and inevitably when\, I get lost again.” \nCarll is more than two decades into a celebrated career. Praise from places such as Pitchfork and the New York Times––the latter of which yoked Carll’s ability to tackle tough issues with wry humor to Bob Dylan––punctuate a resume that includes Americana Music Awards and a Grammy nomination. His songs aren’t safe\, but many of Nashville’s stars have recorded them\, including Kenny Chesney\, Lee Ann Womack\, and Brothers Osborne. As a solo recording artist\, Carll has long-since established himself as one of Americana’s most-played––and most loved––voices. His warm but crackling vocals\, wit\, and heart dance through wordplay that’s always clever\, and never too precious. Through it all\, whenever Carll points a finger\, it’s most often at himself. \nAs We’re Only Human collects moments of Carll figuring out how to be with himself\, the songs feel forthright\, hopeful\, and timely. In today’s onslaught of instant gratification\, rage-baiting headlines\, glorified intolerance\, and falling empathy\, the record is a startling outlier: an artist’s raw\, real-life effort to live well—both with himself and others. Carll embraces private epiphanies\, and shares them with the world\, allowing them to unfold for all to see and share. \nOf course\, We’re Only Human is also art. So while appreciating the motivation and compelling themes driving it will underpin the listener’s experience\, Carll’s album also matters because of the sheer brilliance of its execution. These are songs composed by a writer’s writer\, wielding his considerable skill with precision and beauty. \nThe album’s title track unfolds with plaintive piano and a mantle of grace. Carll sings\, with a calming sincerity\, “We’ll do most anything to avoid the pain / Hiding our hearts and casting the blame / 6\,000 tongues\, but we’re all the same / Ain’t no need to carry that shame / ‘Cause we’re only human.” \nHard-won minutes of quiet clarity inspired some of the record’s most beautiful moments. Accented by bright mandolin and soft\, simple percussion\, “Stay Here a While” captures a peaceful reprieve from a racing mind. “I remember sitting on the couch\, looking out the window\, watching the birds do their thing\,” Carll says with a laugh. “I got lost in their lives for a moment\, and it was such a wonderful feeling because my mind is always going in circles\, seeking excitement\, and frankly\, just thinking about myself. I enjoyed the peace I felt in that moment and I thought\, this is lovely and I’d like to stay in this place.” Carll shared that takeaway with MC Taylor\, aka Hiss Golden Messenger\, who not only could relate\, but helped finish the song. \n“High” offers another invitation to stop and breathe. Opening with a solo horn\, flute\, and stripped down piano\, the track is lovely and sincere\, with Carll’s signature humor hovering comfortably nearby. There are also times when Carll’s sharp wit comes roaring to the foreground. “Progress of Man (Bitcoin and Cattle)” sends up society’s disorienting––and conflicting––forces\, while “Good People (Thank Me)” is a masterclass in comedic timing\, stubborn humanism\, and the untapped potential of gratitude. \nA dogged insistence on acceptance\, both of one’s self and others\, courses through the album— as does Carll’s determination to hold himself accountable. “If I’m judging others\, then I’m not having to look at myself\,” Carll says. “I’m flawed as hell\, judgmental\, and critical of myself and those around me. That’s a loop that feeds itself. But I figure If I can look at myself clear-eyed and acknowledge my own shortcomings\, it might help me have some grace and acceptance for myself and others.” \nIt’s that sort of harmonious duality––embracing one’s self and confessing one’s own mistakes––that solidifies the record’s big-hearted honesty. “The creative process was in large part a self-therapy session. I don’t think that would work if I was only looking at everyone else’s issues\,” Carll says. \nA moving series of grounding vignettes\, realizations\, and self-love roll through “What I Will Be\,” as Carll promises to not compromise himself to fit in. A slow-burning\, blues-tinged standout\, “I Got Away with It” is painful and gorgeous. Brimming with hope\, “One Day” balances the work Carll sees as necessary with the certainty that satisfaction\, contentment\, and peace are reachable by trusting in yourself and the universe. \nFeaturing a parade of Carll’s longtime friends\, album closer “May I Never” is a plea to himself. As Ray Wylie Hubbard\, Shovels & Rope\, Darrell Scott\, Nicole Atkins\, and The Band of Heathens’ Gordy Quist and Ed Jurdi each take verses\, listeners are swept up in a resolute promise to keep after good. “It brings up a lot for me when I hear them singing those lines\,” Carll says. Each of those people – whether they know it or not – have played a part in my story\, and it’s gratifying and humbling to me to have them lend their voices to this song.” \nIn the end\, Carll’s latest album is a lovingly and purposefully written collection of reminders. “I hope other people find something in it\, too” Carll says. “Through it all\, I am trying to stay appreciative\, knowing that I did what I set out to do: write something that can help me navigate this journey with a little more grace and peace.”
URL:https://wdvx.com/event/hayes-carll-live-at-the-bijou-11-5/
LOCATION:Bijou Theatre\, 803 South Gay Street\, Knoxville\, TN\, 37902\, United States
CATEGORIES:Featured Events,WDVX Supported Events
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DTSTART;TZID=America/New_York:20261108T200000
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SUMMARY:Kitchen Dwellers and Dogs in a Pile — Mill & Mine — 11/8
DESCRIPTION:Tickets Here! \n\n\n\n\nKitchen Dwellers\nBluegrass \n\n\n\n\n\n\nKitchen Dwellers continue to carve out their own lane in the world of progressive roots music\, blending bluegrass\, folk\, and psychedelic grit into a sound as expansive as their Montana home. The Bozeman-born quartet of Shawn Swain (mandolin)\, Torrin Daniels (banjo)\, Joe Funk (upright bass)\, and Max Davies (acoustic guitar) has grown from regional upstarts into one of the most dynamic and forward-thinking bands in modern string music. Their catalog pairs instrumental virtuosity with emotional storytelling\, an exploratory spirit\, and a deep connection to the American West. \nIn 2024\, Kitchen Dwellers released their latest full-length studio album\, Seven Devils\, which arrived on March 1 and debuted at number 1 on the Billboard Bluegrass Albums chart. The record expanded the band’s creative reach and reinforced their place at the forefront of progressive roots and bluegrass. The band’s newest release\, The Katabatic EP\, highlights another side of their creative arc. Recorded in late November 2021 at Mighty Fine Studios in Denver and Peach Street Studios in\nBozeman\, the three-song EP captures a vivid snapshot of wintertime inspiration in Montana. Rooted in sweeping landscapes and natural contrasts\, the EP blends mythic lyricism\, atmospheric instrumental interplay\, and a progressive blend of bluegrass\, folk\, and americana that has become the group’s signature. The song “Madison” tells the story of a mystified angler on the Madison River\, drawing parallels between love and the unpredictable rhythms of fishing. The instrumentals “Mimas and Ida” and “Katabatic” broaden the sonic palette with guest trumpeter Eric “Benny” Bloom of Lettuce\, whose brass textures add lift\, spark\, and momentum. Shifting grooves\, evolving tempos\, and evocative melodies evoke mountain valleys\, windswept terrain\, and orbiting moons. The EP was produced by Kitchen Dwellers\, mixed by Stephan Gueguen and Max Davies\, and mastered by Stephan Gueguen. Kitchen Dwellers have continued to earn national attention through consistent touring\, acclaimed studio work\, and an expanding grassroots following. Their studio album discography includes Ghost in the Bottle (2017)\, Muir Maid (2019)\, Wise River (2022)\, and Seven Devils (2024). Collectively\, these releases have amassed more than 15 million streams across platforms\, with recent NOCO releases accounting for more than 8 million. Their vibrant live show has taken them to major festivals and iconic stages across the country. The band has performed at Bonnaroo Music Festival\, Telluride Bluegrass\, Under The Big Sky\, WinterWonderGrass\, Northwest String Summit\, and more. They have also achieved career milestones by headlining Red Rocks Amphitheatre and headlining the historic Ryman\nAuditorium in Nashville. Along the way\, Kitchen Dwellers have received praise from outlets such as Bluegrass Today\,\nHuffington Post\, Relix\, American Songwriter\, and additional national publications. Kitchen Dwellers continue to evolve while staying rooted in the landscapes and creative curiosity that shaped them. With Seven Devils marking a major milestone and\nThe Katabatic EP offering a distilled burst of artistic expression\, the band remains committed to pushing the\nboundaries of modern bluegrass and exploring new musical terrain. \n\n\n\n\n\n\n\n\nDogs In A Pile\nJam Bands \n\n\n\n\n\n\nSomething organic has been blooming from Asbury Park\, New Jersey\, and is now making its way around the world. Dogs In A Pile\, a band of five twenty somethings with old souls and limitless chops\, is waking people up to the timeless and ineffable joys of psychedelic-tinged jazz-funk rock n’ roll. \nThis is one of the busiest touring bands of today\, averaging 130 live shows per year since 2022. The road has become their creative engine\, generating a rapidly growing catalog of original tunes. Distroid\, the band’s newest album\, is a 10-song collection featuring long-awaited studio versions of some of the Dogs’ most beloved repertoire. \nDogs In A Pile is guitarist Jimmy Law\, guitarist Brian Murray\,  keyboardist Jeremy Kaplan\, bassist Sam Lucid\, and drummer Joe Babick. In addition\, the Dogs In A Pile community includes the Dog Pound\, the group’s extended family of fans across the country. \nBesides being a lyric from the Grateful Dead song\, “He’s Gone\,” the name “Dogs In A Pile” is an apt description of the five-piece band’s stylistic breadth. The sonic image it conjures is a heap of storyteller Americana\, bluegrass\, jazz improvisation\, eccentric instrumental excursions\, pop-rock sophistication\, and deep-pocket grooves\, ranging from funk to Latin to reggae and beyond. \nDistroid features material that has already become staples of the band’s live show. These studio renditions have afforded the group a chance to present the compositions just how they envision them. Distroid offers a cross-section of the Dogs In A Pile essence\, tight and tuneful four-minute funk and jazz informed psych-rock songs\, and then sprawling 15-minute compositions with intricate unison lines\, agile genre-jumping\, and dazzling improvisation.
URL:https://wdvx.com/event/kitchen-dwellers-and-dogs-in-a-pile-mill-mine-11-8/
LOCATION:Mill & Mine\, 227 W Depot Ave\, Knoxville\, 37917\, United States
CATEGORIES:Featured Events,WDVX Supported Events
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SUMMARY:Eddie 9V — Live at the Bijou — 11/11
DESCRIPTION:Get Tickets Here! \nEddie 9V has an endless stockpile of cool stories – and you’ll find twelve of them on his most recent studio album Saratoga\, released in November 2024 on the fabled Ruf Records label. A thrilling mix of Southern soul\, blues\, rock\, and funk\, Saratoga proved to be a gamechanger: a road trip-ready record filled with razor-sharp observations\, vintage textures\, and raw humanity. It also marked a major career milestone: Eddie 9V’s soulful sound began reaching hundreds of thousands of new fans across the globe. Now signed to Easy Eye Sound — the Nashville-based label founded by Dan Auerbach of The Black Keys — Eddie 9V is preparing to release a brand-new album in 2026. And the momentum keeps growing. \nSince Saratoga dropped\, Eddie’s monthly listeners on Spotify have exploded from 8\,000 to peaking at over 800\,000.. Songs like “Halo\,” “Saratoga” and “Love Moves Slow” have become SiriusXM Spectrum-certified tracks\, gaining steady spins and major audience love. \nBut this rise is years in the making. From the day he first slung a guitar on a local Georgia stage\, Eddie 9V (born Brooks Mason) has been an artist to watch. First cutting his teeth in cover bands and regional blues circuits\, he made the leap to full-time frontman with a name that couldn’t be ignored. “I wanted to start from scratch – and I ain’t never heard of no bluesman named Eddie 9V.” \nThat leap paid off. His early albums Left My Soul In Memphis (2019) and Little Black Flies (2021) turned heads for their wild energy and vintage flair. 2022's Capricorn was a breakout moment\, earning rave reviews from Classic Rock\, The Guardian\, and more. It debuted at #1 on the blues charts before being dethroned by Bonnie Raitt — “a cool story to be able to say\,”  Eddie laughs. \nBy the time Saratoga arrived\, Eddie 9V had evolved into a full-spectrum songwriter\, tapping into deep wells of soul and storytelling alongside his brother and longtime collaborator Lane Kelly. Much of the album was recorded at their Echo Deco Studio in Atlanta\, with some sessions at Denver’s Crown Lanes Studio. From the disco-tinged horns of the title track to the fuzzed-out dreamscape of “Delta\,” it’s a record that widened the lens without losing the grit. \nNow with a major label partner\, national tours\, SiriusXM airplay\, and streaming growth that shows no signs of slowing\, Eddie 9V is poised for the next chapter. A new album is on the horizon. The band is sharper than ever. And if Saratoga was the ignition\, what's coming next is the open highway. “I’m already writing new songs\,” he says. “You never stop.”
URL:https://wdvx.com/event/eddie-9v-live-at-the-bijou-11-11/
LOCATION:Bijou Theatre\, 803 South Gay Street\, Knoxville\, TN\, 37902\, United States
CATEGORIES:Featured Events,WDVX Supported Events
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SUMMARY:We Love Dolly! — Live at the Bijou — 11/13
DESCRIPTION:The Knoxville Jazz Orchestra and special guests perform the music of Dolly Parton! All net proceeds benefit the Imagination Library of Knox County. Featuring vocalists Robinella Bailey\, Jeannine Fuller\, Evelyn Jack\, Kelle Jolly\, Jonathan and Wendy Maness\, Stina Nesbit\, and other special guests! \nThe evening’s program will include Jolene\, 9 to 5\, I Will Always Love You\, Here You Come Again\, Two Doors Down\, Coat of Many Colors\, Islands in the Stream\, and other classic hits. \nPURCHASE YOUR “WE LOVE DOLLY!” TICKETS HERE! \nSUPPORT THIS EVENT: Want to go a step further and help us make a bigger impact? Consider a donation to offset our production costs for the event. Learn more! \n 
URL:https://wdvx.com/event/we-love-dolly-live-at-the-bijou-11-13/
LOCATION:Bijou Theatre\, 803 South Gay Street\, Knoxville\, TN\, 37902\, United States
CATEGORIES:Featured Events,WDVX Supported Events
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SUMMARY:Foy Vance - The Wake World Tour — Live at the Bijou — 4/10
DESCRIPTION:Get Tickets Here! \nThe seventh album from Foy Vance\, The Wake marks the completion of a decades-long journey defined by tireless soul-searching and life-altering revelation. While playing a gig on the Spanish island of Lanzarote in January 1999\, the Northern Ireland-born singer/songwriter experienced a moment of unprecedented transcendence onstage\, then learned the next morning that his father had suffered a fatal heart attack that very night. Overcome by grief and a galvanizing clarity\, Vance immediately resolved to create seven albums informed by the loss of his father—a traveling preacher who moved their family to the American South when Vance was a baby\, and set him on his life’s path by teaching him to play guitar early in his childhood. At turns devastating and ecstatic and wildly illuminating\, The Wake reveals an artist highly attuned to the task of preserving the human spirit in an often-unforgiving world. \nProduced by Ethan Johns (the Brit Award-winning producer known for his work with Paul McCartney\, Ray LaMontagne\, and more)\, The Wake brings Vance’s gritty vocal work to a potent convergence of folk and soul and Southern blues\, instilling every moment with an unbridled vitality. In his intimate exploration of the human condition\, the Scotland-based artist muses on matters both intensely personal (e.g.\, fatherhood\, heartbreak) and wholly existential (the slippery essence of time\, the looming crisis of AI’s unchecked ascent). The final volume in a run of albums that began with his 2007 debut Hope—and also includes standouts like 2016’s The Wild Swan (executive-produced by Elton John)\, 2019’s From Muscle Shoals and To Memphis (recorded at the historic FAME Studios and Sam Phillips Recordings Studios\, respectively)\, and 2021’s Signs of Life (partly made at Vance’s home in the Scottish Highlands)—the result is the purest distillation yet of his truly singular artistry\, imparting a defiant joy into songs of longing and loss and hard-won acceptance.
URL:https://wdvx.com/event/foy-vance-the-wake-world-tour-live-at-the-bijou-4-10/
LOCATION:Bijou Theatre\, 803 South Gay Street\, Knoxville\, TN\, 37902\, United States
CATEGORIES:Featured Events,WDVX Supported Events
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